Holy Week is a festivity accompanied by a long culinary tradition, among other things. Some of its hallmarks include confectionery and desserts, which adopt a host of guises across the geography of Spain. Not to be outdone, Santiago de Compostela, a city of fine food, has its own versions, as evinced in the gems created by different local religious orders, those inherited from the city’s long chocolatiering tradition and imports from the Americas, which have spread all over Europe via the Road to Santiago.

In an effort to keep this tradition alive and provide enjoyment for locals and visitors alike, the second edition of a gastronomic event catering to the sweet-toothed known as Santiago Paixón Doce will be held from 7 to 17 April. For the duration of this festivity, some 29 venues, notably bars, cafés and restaurants, will be offering a special menu laced with traditional Holy Week fare, among which confectionery features prominently. Highlights include torrijas (a kind of French bread), leche frita (literally, “fried milk”), buñuelos (fritters), rosquillas (a ring-shaped pastry), melindres (buns), roscas (a kind of doughnut), “passion chocolates”, cakes and other confectionery typical at this time of year. Check out the list of venues taking part in this tasty experience here.

Eight Delicacies in the Compostelan Holy Week

For those not familiar with Santiago de Compostela’s Holy Week culinary tradition, we have drawn up a selection of the confectionery you simply must taste on your visit to the city. Take note!

1. Concha de Santiago (St James Shell)
This is a veritable tribute to the city of Santiago de Compostela, as it features its paramount symbol, the pilgrim’s scallop shell or viera worked into a delicious chocolate figure. One of the many establishments where you can taste the concha de Santiago is the Chocolat Factory, located in the Praza do Toural.

2. Tarta de Santiago (St James Cake)
With its origins going back to the 16th century, the tarta de Santiago is unquestionably the most popular cake in Santiago de Compostela. Needless to say, you  can find it in all the city’s pastry shops and bakeries, from Las Colonias – with its long-standing tradition – to Á Casa Mora, said to be the artificers of the Cross of St James having been incorporated into the cake.

3. Chocolate a la taza
As mentioned earlier, Santiago is a city with a long-standing tradition of chocolatiers. One of the local favourites is “chocolate a la taza”, which is thick hot chocolate for dunking churros (fritters) in. A classic spot for savouring this wonderful delicacy is the Chocolatería Metate (Rúa do Preguntoiro, 12).

4. Monastic Delights
In bygone times, it fell to the religious orders to introduce foreign traditions to Compostela, including the recipes using almonds and egg yolk, which had a marked influence on local confectionery and ended up spawning both the tarta de Santiago and almendrados (macaroons). There are currently two convents in Santiago which still make their own confectionery. One is the Antealtares Monastery, where the Benedictines make almendrados, tarta de Santiago and cookies, all of which are available on a daily basis, and brazo de gitano, a kind of Swiss roll which is made only to order. The other is Belvís Convent, where the Dominicans make bespoke batches of almendrados, mantecados (a kind of shortbread made with lard)and tarta de Santiago, as well as selling freshly baked cookies.

5. Cheese and Chocolate Cakes
We recommend you drop in on the Airas Nunes Café, which specialises in homemade cakes and tortiñas (milk tarts).

6. Assorted “Pecados” (Sins)
The Cantón del Toural is home to the so-called Pecados de Compostela (Sins of Compostela), a unique type of candy wrapped in seven forms to match the seven deadly sins, one for each day of the week. Be a daredevil and try them!

7. Xacobea
Despite having very similar ingredients to the Easter cake known as the rosca de Pascua,the Xacobea is moister as it contains syrup. Available in numerous pastry shops dotted about the city, notably La Estrella (Suevia).

8. Rosquilla
The rosquilla, also known as a melindre, typically eaten at traditional shrine festivals in Galicia, is also a classic of Holy Week and Easter in Galicia. Sold at a host of venues in Santiago de Compostela.

Text and photos by Turismo de Santiago

No, we’re not thinking of homing in on all the Britons who travel to the island – and there are quite a few of them – or visiting the places they frequent, which could well be the subject of another post. Instead, let’s take a closer look at a period of Minorca’s past which still lingers there. Apart from boasting many beautiful beaches, the fact is this Balearic island occupies a strategic location in the Mediterranean. In previous centuries this led it to become a prize coveted by all in their jostle to control the trade routes across the Mare Nostrum. This small stretch of sea was fought over by Phoenicians, Greeks, Carthaginians, Romans, Vandals, Normans, Arabs, Spaniards, English and French.

This time we are focusing on the British crown, which occupied Minorca for nearly a century – from 1708 to 1802 – which ended with the signing of the Treaty of Amiens. A period when the British left their mark on the island’s people, architecture, language and cuisine and in many other ways.

The first example that comes to mind is the presence of Anglicisms in Minorcan,with such words as fáitim (fight him), joques (jokes) or fingles (fingers), or expressions like quatre mens i un boi (i.e. “four men and a boy”, meaning very few people) or fer un trinqui (“have atrinqui” from “drink”).

Gastronomy is another facet of Minorcan culture where the British have left their imprint. In the old recipes, lard is used instead of the native olive oil, while one of the island’s traditional desserts –greixera dolça– is a reworking of an English steam pudding. The pomada,one of the most popular cocktails in Minorca and a mainstay in all its festivals, contains gin – Minorcan gin – which, as you may have surmised, was introduced by the British.

Also well preserved are numerousarchitectural remainsdating back to the period of the British occupation which are well worth visiting when you happen to be on the island. Here are some of the most noteworthy examples:

The area around Mahón harbour. During their time on the island, the British made concerted efforts to build defence works around the harbour in the form of numerous forts and towers designed to withstand enemy assault. Once such example is Fort Marlborough, located in the Esteve Cove south of the port. It was built from 1720 to 1726 and named after Sir John Churchill, Duke of Marlborough. It is now a museum dedicated to the history of both Minorca and Europe in the 18th century. Be sure to stroll around its moat and to take in views of the historic areas of Mahón harbour.

Also located on the south shore of the harbour mouth is St Philip’s Castle, originally built by the Spanish in the 16th century as a defence against the Turks. With the British occupation its exterior was reinforced. A striking feature of this castle is the network of underground galleries, a veritable labyrinth of passageways which was used as a shelter by both the British and Spanish during times of enemy attack.

Hard by St Philip’s Castle is the municipality of Es Castell, which was founded by the British in 1771 and originally named Georgetown. It was built to an orthogonal ground plan and its standout feature is the Esplanade, which now houses the town hall. When the island was returned to the Spanish, it was renamed Villacarlos, in honour of Charles III.

Lastly,  situated in Mahón harbour is Isla del Rey, also known as Bloody Island, as it was there that King Alfonso III landed in 1287 on his way to reconquer Minorca from the Moors. Apart from vestiges of an early-Christian church, there are remains of a military hospital built by the British.

El Camí d’en Kane (Kane’s Walk). Sir Richard Kane was lieutenant-governor of Minorca during the first two periods of British occupation. One of the many infrastructure works he committed was a road linking Mahón to Ciutadella, of which the only surviving stretch runs from Mahón to Es Mercadal. It is well worth travelling, preferably by bicycle, as it is ideal for enjoying the island’s scenic interior. At some stage along the route you will come across an obelisk commemorating the endeavours of Sir Richard Kane.

Watchtowers. Still standing are numerous watchtowers built by the British as lookouts to alert to enemy incursions. The largest of them is the Fornells Tower, but you will find many more around the island’s perimeter – Torre des Castellar (Ciutadella), Torre de Sa Mesquida and Torre Cala Molí (Mercadal), among others.

Our last recommendation when retracing the British presence on the island consists of two colonial houses which now offer accommodation – Hotel Son Granot, built in 1712, with magnificent views of Mahón harbour, and Hostal El Almirante, dating from 1809, located in Es Castell.

While roaming from cove to cove across the island, be sure to also seek out Minorca’s past – book your Vueling here!

Text by Los Viajes de ISABELYLUIS

Images by jorapa , Fundació Destí Menorca

Apart from this conjunction in location and time, can an event like Sónar 2017, with the most advanced music proposals, be related to a figure who was able to capture and assimilate the essence of upcoming trends for nearly half a century like David Bowie. We believe that it can indeed. At My Vueling City we lay several bridges between the two and single out items in this year’s Sónar programme which embody the ever-restless spirit of “The Thin White Duke”.

Rebel Rebel
Bowie’s demeanour was always tinged with a heady potion of defiance against established values. He never settled in to any set aesthetic, as evinced in his constant regeneration – at every new release, he rebelled against the previous one, which accounts for his endless change of image.

The exhibition, David Bowie Is, opens at the Museu del Disseny de Barcelona on 25 May 2017. Produced by London’s Victoria and Albert Museum, it has already attracted over one and a half million visitors in the eight cities where it has been hosted so far, including London, Berlin, Paris and Chicago, making it the most visited exhibition in the 164 years since the inception of the V&A.

On display at the exhibition are over 300 objects, including photographs, record covers, handwritten letters, original costumes, stage designs and hitherto unseen material from Bowie’s concerts over the last five decades, on loan from the David Bowie Archive. David Bowie Is takes an in-depth look at the way David Bowie’s music and radical individualism have inspired others by defying conventions and seeking freedom of expression.

The Impact of Sound, and Sight Too
This year Barcelona is hosting two events related to music, and also to advanced thinking and the creative avant-garde. On the one hand, the largest exhibition ever dedicated to Bowie and, on the other, the world’s largest electronic music festival. We all know Bowie’s prowess in the musical sphere, in terms of his great ability to assimilate styles and his insatiable effervescence, which kept him constantly in touch with the latest trends until the end of his life. Indeed, the standard bearer of glam rock also flirted with more advanced genres, notably ambient music and drum and bass. Here then are some of the proposals in this year’s Sónar programme which we feel are imbued with Bowie’s spirit through and through.

Arca
Arca undoubtedly condenses the cryptic essence of Bowie’s final studio album.Blackstar and Arca speak the same language – both are solemn; both seem to know the afterlife. Of all the world’s festivals, Sónar was singled out by Arca, the unclassifiable musician and producer, for a live presentation of his newly released work which redefines him as an even more complex and evolved figure. This show will also feature the presence of and visuals by Jesse Kanda.

Moderat
Bowie moved to Berlin in the second half of the 1970s and there he became steeped in the high-calibre art and music scene. Those were the years of his collaboration with Brian Eno, during which he released the trilogy of Low, Heroes and Lodger. Moderat clearly dovetails to perfection into this pure Berlinese tradition – pop and electronic music with tunes in black and white. Moderat started out as a collaborative project between Gernot Bronsert and Sebastian Szary (Modeselektor) on the one hand, and Sacha Ring (Apparat) on the other. The idea was to work together whenever their respective projects left them enough spare time.

Nicolas Jaar
Bowie incorporated the new dance and experimental music trends in the 1990s, as evinced in such albums as Earthling and Outside, with a nod to drum and bass, electronic metal and even avant-garde jazz. Nicolas Jaar is a musician who merges seamlessly into that philosophy of musical defiance which cannot be stuffed into any specific stylistic straitjacket and also imparts a political or poetic message to his creations.

Phosphereby Daito Manabe
Music was Bowie’s great passion throughout his long career. He collaborated with the great stars of pop and rock, notably Queen, Lou Reed and Mick Jagger, and those of contemporary music such as Philip Glass, but that was not the only discipline he excelled at. He also collaborated with such top-notch artists as Tony Oursler. So, it can’t be ruled out that Bowie might have authored the background music to Phonosphere, by Daito Manabe, one of the most acclaimed digital artists in the world. This installation is an important step forward in new kinds of immersive creation and will be one of the highlights of Sónar+D 2017. This monumental structure is a robotic hybrid architecture in which synchronized mirrors, smoke machines, beams of light and up to 24 video projectors combine to create an unprecedented spatial experience, drawing from the world of new contemporary dance music, as well as the vocabulary of projection mapping.

Boris Chimp 504
Space Oddity was Bowie’s first big hit. The single was released at a time when humanity was in the grips of space exploration in the guise of journeys beyond the stratosphere. With his Multiverse, Boris Chimp 504 takes us back to that period. This audiovisual, real-time performance emphasises the relationship between audio synthesis and graphical language, with the story of the first ape to be sent to the moon in 1969 as the point of departure.

Book your Vueling to Barcelona and score a luxury double in its most highly evolved aspect – Sónar – while looking back to the figure of The Thin White Duke at the exhibition, David Bowie Is.

Text by Los Viajes de ISABELYLUIS

Birmingham has long been characterised by its strong musical drive. In the sixties, it already had 600 pop and rock bands. Musically speaking, the Birmingham scene stood out for its fusion. Indeed, almost all the musicians in those groups also played in parallel bands. Even soloists eschewed being pigeon-holed and poured out a blend of styles in their live shows. The fact is that musical amalgamations have been part of the city’s DNA since the 18th century, when street musicians sounded out practically all the styles to be had. Diversity and the culture of experimentation have led Birmingham to engender several musical styles. In the sixties, it was the Spencer Davis Group super band that provided the finishing touches to British rhythm and blues through a combination of folk, jazz, blues and soul. Although Pink Floyd were the initiators, English psychodelics was consolidated in Birmingham by The Move. But, there is one style that became a mass, global phenomenon – heavy metal – which germinated in the early seventies and was captained by Black Sabbath.

Macho Rock

Heavy metal has always been regarded as the epitome of hard rock. Not for nothing did it emerge as a far more extreme form of rock than anything that went before it. But, why in Birmingham and not in London? For the simple reason that it emerged in the centre of the country where trade, information and trends were continually converging. In effect, this enclave lay halfway between the country’s two major musical poles. One was London, with its white, hard-blues bands, many of whom had conquered America in the previous years. The other, Liverpool, a veritable nursery of melodic pop. Aside from being a nexus between the two, Birmingham contributed its grain of sand by incorporating jazz as a condiment. But, that was not all – darkness, and the repetitive, mechanical component associated with a city smothered in factories since the Industrial Revolution, proved to be more than latent. All these components came together in the early records of Black Sabbath – “Black Sabbath” (1970) and “Paranoid” (1972). While the former still rested on the solid springboard of unmitigated blues, the latter heralded the birth of a new style, with a far more polished sound, suited to a wider audience. The disc topped the charts in the UK, and reached number 8 in the USA. That recording hit a milestone beyond the reach of most, and its influence was decisive in the birth of punk (Sex Pistols), post-punk (Joy Division), stoner rock  (Kyuss), grunge (Nirvana, Soundgarden, Mudhoney, Alice in Chains), and even rap (Ice-T, Cypress Hill).

The Father of the Child

Controversy is rife when it comes to asserting the paternity of the genre. There are two schools of thought – those who believe Led Zeppelin to be the pioneering band, and those who hold it to be the combo led by Ozzy Osbourne. At any rate, gestation clearly occurred in Birmingham and a large number of members of both groups hail from this city. All the members of Black Sabbath were nurtured on the local scene. Half of Led Zeppelin, too, as John Bohnam (drums) and Robert Plant (vocals) are local boys, having previously played in Band of Joy.

Conquering the World

Heavy metal managed to spread across the planet thanks to another Birmingham band – Judas Priest. Led by Rob Halford, they ratcheted the style up another notch, particularly with the release of “Stained Class” (1978), a disc that spearheaded what was known as the “new wave of British heavy metal”, which involved ditching the blues rock influence for good and focusing on other aspects of sound, such as power and speed. Their legacy sprouted ramifications in the form of speed metal, trash metal, death metal and black metal, and essential bands like Godflesh and Napalm Death. Their influence, however, was not only musical but also aesthetic, as it was they who ushered in prototypal heavy metal attire, based on leather, studs and the biker look.

A Heavy DNA Beyond Heavy

Many artificers of heavy metal music have sprung from the Birmingham scene, notably Blaze Bayley, Iron Maiden’s vocalist from 1994 to 1999. There are also those whose music, while not attributable to this genre, certainly influenced it in some way. Some of the most illustrious examples are Nick Mason, Pink Floyd’s drummer; Jeff Lynne, composer and singer with Electric Light Orchestra; Phil Lynott, the leader of Thin Lizzy – who was christened at St Edwards Church in Selly Park, very near Birmingham – and Marin Barre, the guitarist for Jethro Tull.

Birmingham’s musical spirit remains intact. Two scenes can currently be identified, both in rock and electronic. The city also boasts some of the most exciting festivals in the West Midlands, such as the Moseley Folk Festival, held in September.

Heavy metal never dies! Why wait any longer to discover the birthplace of this genre? Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Cindy Frey, Rowan Peter