It was a film that led me to Turin. I was stunned by a giant edifice topped by a spire which towered over the city. It was the Mole Antonelliana, a vivid name alluding to both its blunt presence and its designer, Alessandro Antonelli, who had initially conceived of it as a synagogue. I discovered it in a humble but significant independent film entitled Dopo Mezzanotte (After Midnight), by Davide Ferrario, who lives in the city and has shot many of his films there. It is a hymn to cinema, a passion triangle with the action set in the Museo Nazionale del Cinema, which has been housed in the Mole since 2000. With an area of 3,200 square metres, it is the largest in Europe dedicated to “the Seventh Art”. It is a highly original, spectacular exhibition, both for its location and the layout of its collections, including pre-cinematographic devices, magic lanterns, and both old and modern stage items – notably masks from Star Wars and Bergman’s The Seventh Seal, Superman’s cloak and Marilyn Monroe’s bodice. It is actually one of the most frequented museums in Italy, quite a feat in a country with such a rich history and art heritage. It is also the site of the Turin Film Festival, next slated for 20 to 28 November, which has featured such filmmakers as Nanni Moretti, Gianni Amelio and Paolo Virzi.

The City that Bewitched Risi, Tornatore and Argento

The fact that Turin was Italy’s first capital is evident in its cinema, from Neorealism to erotic comedies, with a profusion of such explicit detective films as Double Game, Black Turin and Torino, centrale del vizio. It was in Turin that the master of horror movies and self-confessed lover of the city, Dario Argento, shot several scenes from one of his first hits, The Cat o' Nine Tails. He went on to film in their entirety his latest works, Do You Like Hitchcock?, Sleepless (Non ho sonno) and Giallo.

The city of the Juventus and Torino football clubs, the annual contenders at the “Derby della Mole”, is also an obligatory stop on the journeys depicted in the perennial classics. Enrico Loverso emigrates from the poor south to the Turinese industrial north in The Way We Laughed (Così ridevano) by Gianni Amelio. In Everybody's Fine (Stanno tutti bene), by Giuseppe Tornatore, an elderly, splendid Marcello Mastroianni visits his adult children distributed across Italy and finds the last of them – of course – in Turin. And, the irascible blind captain played by Vittorio Gassman sets off from Turin station in Scent of a Woman, directed by Dino Risi (the remake, with Al Pacino, came years later). Risi also happened to make his cinema debut in the same Alpine city, when he was assistant director during the shoot of Piccolo mondo antico (Little Ancient World), and it was there, too, that he one night declared his eternal love to the stunning actress, Alida Valli, while they were sitting in a carriage in the rain, in the romantic, lush gardens of the Parco Valentino.

The Setting for Robberies and Spies in American Movies

In The Pink Panther 2, with Steve Martin, one of the city’s most prized treasures is stolen – no less than the Turin Shroud. However, the film that has probably set Turin most on the map is the 1969 cult movie, The Italian Job, by Peter Collinson (which has seen a recent remake). In it, Michael Caine flees with his loot from the carabinieri in his Mini Coopers, through the Palazzo Carignano, along the inner staircases of the Palazzo Madama and around the exterior of the Gran Madre di Dio Church, skidding through the glamorous Galleria San Federico shopping centre, and driving over the flared roof of the Palazzo a Vela, built for the Italia 61 Exhibition and refurbished as a sports centre for the 2006 Winter Olympics. He also drives up the heady oval test track on the old FIAT factory – the city’s veritable economic driving force for decades – housed in the Lingotto building, now a multidisciplinary space for trade fairs and festivals. In his final getaway, his Minis reach the nearby Alps, the formidable mountain range which acts as the backdrop for this stunning city, after having crossed the river Po.

And, opposite the Po stands the majestic Piazza Vittorio Veneto, which appears in The Bourne Ultimatum, a saga starring Matt Damon. However, the café where we later see the fired up secret agent sitting is actually in Madrid! The fact is that the film crew were back working in Spain when a change to the script forced them to repeat the shoot of the scene originally filmed in Turin. The magic of cinema always involves some hidden devices!

If you fancy seeing the city for yourself, secure your ticket here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by Felipe Cadona Colombo, Jean-Pierre Dalbera, Luigi Giordano, Marco Coïsson, MarkusMark, Nicola Gambetti

Apart from this conjunction in location and time, can an event like Sónar 2017, with the most advanced music proposals, be related to a figure who was able to capture and assimilate the essence of upcoming trends for nearly half a century like David Bowie. We believe that it can indeed. At My Vueling City we lay several bridges between the two and single out items in this year’s Sónar programme which embody the ever-restless spirit of “The Thin White Duke”.

Rebel Rebel
Bowie’s demeanour was always tinged with a heady potion of defiance against established values. He never settled in to any set aesthetic, as evinced in his constant regeneration – at every new release, he rebelled against the previous one, which accounts for his endless change of image.

The exhibition, David Bowie Is, opens at the Museu del Disseny de Barcelona on 25 May 2017. Produced by London’s Victoria and Albert Museum, it has already attracted over one and a half million visitors in the eight cities where it has been hosted so far, including London, Berlin, Paris and Chicago, making it the most visited exhibition in the 164 years since the inception of the V&A.

On display at the exhibition are over 300 objects, including photographs, record covers, handwritten letters, original costumes, stage designs and hitherto unseen material from Bowie’s concerts over the last five decades, on loan from the David Bowie Archive. David Bowie Is takes an in-depth look at the way David Bowie’s music and radical individualism have inspired others by defying conventions and seeking freedom of expression.

The Impact of Sound, and Sight Too
This year Barcelona is hosting two events related to music, and also to advanced thinking and the creative avant-garde. On the one hand, the largest exhibition ever dedicated to Bowie and, on the other, the world’s largest electronic music festival. We all know Bowie’s prowess in the musical sphere, in terms of his great ability to assimilate styles and his insatiable effervescence, which kept him constantly in touch with the latest trends until the end of his life. Indeed, the standard bearer of glam rock also flirted with more advanced genres, notably ambient music and drum and bass. Here then are some of the proposals in this year’s Sónar programme which we feel are imbued with Bowie’s spirit through and through.

Arca
Arca undoubtedly condenses the cryptic essence of Bowie’s final studio album.Blackstar and Arca speak the same language – both are solemn; both seem to know the afterlife. Of all the world’s festivals, Sónar was singled out by Arca, the unclassifiable musician and producer, for a live presentation of his newly released work which redefines him as an even more complex and evolved figure. This show will also feature the presence of and visuals by Jesse Kanda.

Moderat
Bowie moved to Berlin in the second half of the 1970s and there he became steeped in the high-calibre art and music scene. Those were the years of his collaboration with Brian Eno, during which he released the trilogy of Low, Heroes and Lodger. Moderat clearly dovetails to perfection into this pure Berlinese tradition – pop and electronic music with tunes in black and white. Moderat started out as a collaborative project between Gernot Bronsert and Sebastian Szary (Modeselektor) on the one hand, and Sacha Ring (Apparat) on the other. The idea was to work together whenever their respective projects left them enough spare time.

Nicolas Jaar
Bowie incorporated the new dance and experimental music trends in the 1990s, as evinced in such albums as Earthling and Outside, with a nod to drum and bass, electronic metal and even avant-garde jazz. Nicolas Jaar is a musician who merges seamlessly into that philosophy of musical defiance which cannot be stuffed into any specific stylistic straitjacket and also imparts a political or poetic message to his creations.

Phosphereby Daito Manabe
Music was Bowie’s great passion throughout his long career. He collaborated with the great stars of pop and rock, notably Queen, Lou Reed and Mick Jagger, and those of contemporary music such as Philip Glass, but that was not the only discipline he excelled at. He also collaborated with such top-notch artists as Tony Oursler. So, it can’t be ruled out that Bowie might have authored the background music to Phonosphere, by Daito Manabe, one of the most acclaimed digital artists in the world. This installation is an important step forward in new kinds of immersive creation and will be one of the highlights of Sónar+D 2017. This monumental structure is a robotic hybrid architecture in which synchronized mirrors, smoke machines, beams of light and up to 24 video projectors combine to create an unprecedented spatial experience, drawing from the world of new contemporary dance music, as well as the vocabulary of projection mapping.

Boris Chimp 504
Space Oddity was Bowie’s first big hit. The single was released at a time when humanity was in the grips of space exploration in the guise of journeys beyond the stratosphere. With his Multiverse, Boris Chimp 504 takes us back to that period. This audiovisual, real-time performance emphasises the relationship between audio synthesis and graphical language, with the story of the first ape to be sent to the moon in 1969 as the point of departure.

Book your Vueling to Barcelona and score a luxury double in its most highly evolved aspect – Sónar – while looking back to the figure of The Thin White Duke at the exhibition, David Bowie Is.

Text by Los Viajes de ISABELYLUIS

The environs of Madrid are no less alluring than the city itself. In just over an hour you can steep yourself in nature, view one of the masterpieces of Spanish architecture, feast on a cochinillo asado near a Roman aqueduct or relive a battle from the Civil War. Fancy discovering some of these destinations?

1. El Escorial – A Classic Among Classics

The monastery of San Lorenzo de El Escorial is the major landmark in a town located less than an hour from Madrid. It was originally commissioned by Philip II as a pantheon for the royal family. In 1563, work commenced under the direction of Juan Bautista de Toledo, but, after his death, it was his successor, Juan de Herrera, who was entrusted with completing the work. Behind the sober Herreran exterior lie a number of striking rooms and other areas, prominent among them being the Basilica and the Library, decorated with magnificent frescoes. Another standout feature is the painting collection by artists of the calibre of Velázquez, Jan van Eyck, Hieronymus Bosch, Titian, Tintoretto and Roger van der Weyden.

Apart from the Monastery, other interesting sights include the Casa del Alcalde Mayor (Magistrate’s House), the Casa del Infante (Prince’s House), the Casita del Príncipe (Prince’s Lodge) and the Church of San Bernabé.

Lastly, any outing to El Escorial would be incomplete without a stopover at Charolés to try their fabulous cocido –an imperious must!

2. Segovia – the Aqueduct and Beyond

Just over an hour from Madrid lies the beautiful city of Segovia, famed for its major landmark, the Roman Aqueduct. This symbol of the city was built by the Romans to bring water to Segovia from the Sierra. It is a veritable feat of engineering which never fails to have a stunning impact on the observer. But, visitors to Segovia are in for more surprises too, as its old town reveals some marvels and magical spots. Notable examples include the Cathedral of Santa María, known as the “Lady of Cathedrals”, and the Jewish Quarter, with its former synagogue converted into the Church of Corpus Christi, while literary boffins should seek out the Antonio Machado House Museum. Your visit can be rounded off by a tour of the Alcázar, set on top of a hill, which boasts striking Mudéjar decoration.

Another standout feature of Segovia is its cuisine, celebrated above all for its cochinillo asado (roast suckling pig), a delicacy you should really treat yourself to. Some of the classical venues for savouring it include the Mesón de Cándido and the Restaurante José María.

3. Chinchón – Medieval Past and Culinary Variety

If only for its Plaza Mayor (Main Square), this town situated 45 kilometres from Madrid is well worth visiting. The square, medieval in origin, is surrounded by two- and three-storey houses faced with rows of wooden balconies and lintelled galleries which catch the attention of first-time visitors to Chinchón. For centuries the square acted as a temporary stage for all kinds of performances, notably theatre plays, bullfights, royal festivals and religious services. A short distance from the Plaza Mayor stands the Church of Our Lady of the Assumption, displaying a blend of Gothic, Plateresque, Renaissance and Baroque architectural styles. Be sure to venture inside to see Goya’s painting of the The Assumption of the Virgin Mary.

Needless to say, Chinchón also has culinary delights in store for you, characterised by a fusion of tradition and the latest gastronomic trends. And, before you leave, you simply must taste their most popular liqueur – anisette.

4. Paredes de Buitrago – in the Footsteps of the Spanish Civil War

If your thing is nature, but you are also interested in history, don’t hesitate to head for Paredes de Buitrago to visit the site of the so-called Frente del Agua (Water Front). During the Civil War, this front was established to defend Puentes Viejas and El Villar, two crucial spots for ensuring the water supply. Comparatively easy to complete on foot, the 12-kilometre layout of the site reveals the remains of bunkers, trenches and pillboxes which came under the control of both sides in the conflict. A heady dose of recent history in the open air makes this a countryside outing with a difference, and just an hour’s drive from Madrid.

5. The Cuenca Alta del Manzanares Regional Park – Nature in its Pure State

Situated in the Sierra de Guadarrama, north-west of Madrid, it was listed as a Biosphere Reserve by UNESCO in 1993. A prominent feature of this reserve is La Pedriza, one of Europe’s most celebrated granite formations, featuring some amazing rock shapes produced by erosion. The vegetation is dominated by holm oak, which takes up 62% of the Park’s surface area. Bird-lovers should head for the nearby Santillana Dam, with its enormous variety of water fowl and migratory birds. At the foot of the dam stands the Castle of Manzanares El Real, also known as the Castle of the Mendozas. Built in the 11th century, it is one of the best preserved castles in the Community of Madrid.

Text by ISABELYLUIS Comunicación

Images by Chris Gladis, Jerome Bon, Kus Cámara, Jose Luis Cernadas Iglesias, Raúl A.-