During the reconstruction of the city of Nantes in the ’50s, after World War II, and having the idea of relieving the housing shortage at that time, Le Corbursier conceived La Maison Radieuse, one of the unité d’habitation (unit room) that have become a landmark in the twentieth century’s civil architecture which later, served as inspiration for many European cities.

The first of these Unité d’habitation was built in Marseilles. Later on, in 1955, was built a very similar version but slightly refined in Rezé, just 3 or 4 miles from Nantes.

At first sight, it is surprising that this building with symmetrical structure and vivid coloured windows in contrast to the gray of its structure was so revolutionary at that time. The idea was that the 294-duplex-apartments building would work formally and functionally independent as a boat. For that purpose, he included games communal areas and gardens.

Nowadays, most of the apartments are inhabited, but a few can be visited in this sort of original House-Museum.

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A place well worth discovering! Check out our flights here.

The architectural oddities we find in every city end up being the greatest attractions for tourism.

Some examples are the narrowest street in the world, Spreuerhofstraße, in the German town of Reutlingen, is only 31 centimetres in the narrowest part and 50 centimetres in the widest. In Spain, the narrowest street in Hervás, a town by the north of Extremadura; a little alley in the old Jewish neighbourhood that is barely 50 centimetres wide at the widest part. Another attraction for tourists is in San Francisco, Lombard street is a winding street, not longer than 120 meters, with up to eight turns on the way.

Besides the building at Singel street, number 7, in Amsterdam, a building in Valencia is considered the narrowest in the world. The difference is that in the famous building in Amsterdam, even the front is only one meter wide; the interior is a little bit wider. So, if we want to be precise, it’s the building with the narrowest façade in the world.

The building in Valencia is so narrow that it has only one room per floor. In order to make it liveable, rooms have being distributed high rather than across, as usual.

It’s located in the city centre of Valencia, at Lope de Vega square, number 6, right behind Santa Catalina’s church. In this case, Guinness World Records certificate is the widest in Europe.

Not long ago, cities were built across because there was enough space. But there was a time when cities started being overcrowded and new buildings were built high, because of it. That’s what happened at the world capital city for paella, apparently. We are not so sure, though, if it was build like this because there was not enough space or just to fill in an empty spot, but is clear that they were not pretending to build a skyscraper like those from Chicago school, not at all.

Anyway, less than a meter wide is the reason why hundreds of people take photos in front of this building every day and why this building became one of those unique architectonic attractions, catching the attention of everyone. With time, the building has become a remarkable landmark in the map, a place to go for tourists as much as other classic monumental buildings in Valencia, like the cathedral, or the modern Arts Palace. After years being unnoticed, the owner restored the building and even put a funny sign on it, which informs of the exact wide: 105 centimetres.

It’s strange that not many locals noticed the building. Maybe because it’s right in the middle between two bigger buildings and neither its 5 meters high nor the bright red colour were enough to catch their attention. Despite the building by the canals of Amsterdam or even some narrower houses in Japan, who could imagine that Valencia was part of the competition the be the narrowest building of the world?

Why not take a trip to Valencia? Have a look at our flights here!

Whether to celebrate Valentine's Day or an anniversary, or simply to give your partner an amazing gift, here are some ideas for a romantic getaway.

Situated in western Holland, on the final stretch of the river Meuse, the modernity breathed by Rotterdam is stunning, far removed from the usual image we have of European cities. Don’t expect to find a typical historic city centre, with a jumbled network of backstreets and time-worn buildings storied with its historical past. The city layout and its tall buildings are more reminiscent of New York’s Manhattan than other Dutch cities like Amsterdam or Utrecht.

The Bombing Raids and Nazi Occupation

The reason for this peculiarity – so to speak – goes back to the Second World War. On 14 May 1940, in a desperate attempt to secure the surrender of Rotterdam, the German air force bombarded the city to such an extent that hardly any building was left standing in the city centre. The air raids destroyed over 24,000 homes and led to the loss of around 800 lives.

Rising from the Ashes

After the city was liberated from the Nazis, unlike other European cities that set about restoring their historic centres as best they could, Rotterdam elected to start from scratch. In this respect, they did not hesitate to adopt the latest building trends, as evinced in every corner of the city. Herein lies Rotterdam’s chief appeal – a host of contemporary architectural discourses coexisting in harmony.

The Standout Features

As Rotterdam has a lot of architecture worth viewing, and one does not always have enough time to see it all, here is a selection of the major landmarks in the city:

The Erasmus Bridge – or Erasmusbrug – which connects the north and south parts of the city, is the work of Ben Van Berkel. Inaugurated in 1996, this imposing structure over the river Meuse has become a well-known landmark.

Near one end of the bridge are two emblematic buildings which can’t fail to attract one’s attention. One is the KPN Telecom Building, designed by Renzo Piano, one facade of which leans slightly towards the city. It is studded with green lights that generate different figures or messages. Just behind it stands “De Rotterdam”, a huge complex consisting of three inter-connected towers. Designed by Rem Koolhaas, it was inaugurated in 2013.

Another icon of Rotterdam, although of a much smaller size, are the Cube Houses (Kubuswoning), designed by the architect, Piet Blom. The original structure of these houses is the result of tilting the cubes 45 degrees and setting them on hexagonal pillars. The set of houses, made up of 32 cubes, has an unusual forest-like appearance. For those curious to see what they look like inside, there is one open to visitors.

The Kuntshal cultural centre, designed by Rem Koolhaas, is well worth seeing, both for the building itself and the collections it houses. The ample, 3,300 m², of available space enables five exhibitions to be hosted in parallel. While it lacks its own, or a permanent, exhibition, it does act as an expositor for the latest trends in contemporary art.

The Central Library exterior, with its huge pipes painted in bright colours, is reminiscent of the Pompidou Centre in Paris, which provided the Van den Broek studio with the necessary inspiration to design this building. Opened in 1983, it is Holland’s largest public library. A quaint detail is the giant chess board inside.

The dazzling red covering the spectacular structure of the New Luxor Theatre is the first thing that catches one’s eye when approaching it. Opened in 2001, it is the work of the Australian architect, Peter Wilson. There are guided visits of the theatre interior and, for those of you who visit on your own, don’t miss the views to be had on the roof terrace.

The outstanding feature of Rotterdam Central (Centraal Station) is the entrance ceiling – shaped like a boomerang, it is made of stainless steel and covered in red-cedar panelling. Three teams of architects were commissioned to undertake the recent extension and remodelling project, namely Benthem Crouwel Architects, MVSA Meyer en Van Schooten Architecten and West 8.

Don’t miss out on one of Europe’s finest showcases of contemporary architecture – treat yourself to a Vueling, here.

Text by ISABELYLUIS Comunicación

Photos by bertknot, Franklin Heijnen, Luke Price, Tim van Vliet, Rory Hyde