Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

Don’t wait to see these Modernist architectural jewels in A Coruña. Check out our flights here.

Turismo A Coruña

Bergen’s history goes back 900 years. In all that time it has been characterised by the hospitality of its people towards visitors. Nowadays it is known for being the true cultural hub of Norway. In fact, it is a UNESCO World Heritage Site.

Ever since the intrepid King Olav Kyrre entered the harbour and founded the city in 1070, Bergen has attracted people from all over the world. Some came and then left, while others chose to make Bergen their home. Bergensers have traditionally travelled overseas a lot; indeed, their flair for trading has always earned them long-standing ties with other lands, while drawing a number of different cultures to the city over the centuries. Hence, it was once Norway’s most important city, its first capital and seat of the royal family. The old city, Bryggen, lies just twelve kilometres from the airport – well, a short walk away!

Cruising among Fjords and Mountains

Enjoy an all-encompassing experience by going on a cruise among the fjords, mountains and waterfalls. It lasts three hours and takes you to Osterfjord and the picturesque Mostraumen, a spot so narrow the ships can hardly get through the sound. The cruise starts at Zachariasbryggen, next to the Fish Market. The first stretch of the trip affords nice views of the city of Bergen. You then sail under the Nordhordalandsbrua and on the Osterfjord. As you approach Mostraumen, the fjord begins to narrow and it is thrilling to find yourself hemmed in beneath steep mountains. The route also takes you past several waterfalls and you can even collect some water from them to drink. Have your smartphone cam ready, as it is easy to spot seals, goats and eagles during the crossing. More information here.

Strolling Along the Quayside

The old quayside saw its period of splendour in the 13th century when the erstwhile confederation of merchant cities in the north of Germany, set up to promote trade between the country’s major cities, opened one of its four European kontors here. Its architectural design is unique and is perhaps one of the images of Norway that most springs to mind. Bergen grew up around its colourful harbour which was the hub of trade, navigation and the craft industry.

The Fish Market

Bergen’s picturesque Fish Market is one of Norway’s most widely visited open-air markets. Fruit, vegetables and souvenirs are also sold here, but its mainstay is clearly the sale of fish. It is magnificently sited in the heart of the city, among the fjords and Bergen’s seven mountains. In the summer season (from 1 May to 30 September), the market opens from 7 a.m. to 9 p.m. every day of the week. In winter, however, it only opens on Saturdays, from 9 a.m. to 3 p.m. Children relish a visit to this market as live shellfish is displayed in large fish tanks.

Award-Winning Panoramas

The best views of Bergen are to be had by taking the Fløibanen funicular railway which takes just 8 minutes to run up Mt Fløyen. Located on the summit is a stunning park with numerous attractions for children. Another option is to go for a walk on the top of the mountain. The funicular is one of Norway’s most famous draws. The ride begins in the city centre, just 150 metres from the Fish Market and the Bryggen. Mt Fløyen is about 320 metres above sea level and atop it you can soak up the fine views and take in the urban landscape in detail, as well as panoramic vistas of the sea and fjords of Bergen.

Edvard Grieg Museum

The current Edvard Grieg Museum was the famous composer’s home for 22 years, and it was in this quaint cabin set in a garden that he composed many of his most emblematic works. The museum is housed in Bergen’s Troldhaugen which, in addition to operating as a museum, also hosts exhibitions related to the creator of the famous Piano Concerto in A minor. It also features a café and a small concert hall which includes a cabin dating from 1885.

Bergen has a lot to offer, whether in the city proper or its surrounding area. We can recommend a visit to Stegastein, a viewpoint set 30 metres above the fjord and 650 metres above sea level, which affords some incredible views! Hurry and discover all this now – check out our flights here.

Images by Bergen Tourist, Sverre Hjornevik, Bergen Reiselivstag, Teje Rakke and Dag Fosse

Düsseldorf is the capital of North Rhine-Westphalia. In the mid-19th century it experienced economic growth fuelled by the Industrial Revolution. During the Second World War, the city was practically reduced to rubble but, thanks to the German miracle, it soon became one of the economic powerhouses of the Federal Republic of Germany.

Düsseldorf – Centre of the Avant-Garde Universe

Brian Eno once said that the Neu! experimental rock band from Düsseldorf was one of the three most inventive beats of the sixties, together with Fela Kuti’s afrobeat and James Brown’s funk. In the late sixties and early seventies, a characteristic Düsseldorf sound started to take shape, based on elements of early rock combined with those of experimental rock. Michael Rother and Klaus Dinger were the pioneers and both of them were members of Neu!, a reference model in the development of the endless machine beat typical of krautrock and, subsequently, in the early creation of Kraftwerk, the primogenitors of modern electronic music. Dinger is also credited with being the originator of themotorik beat, a rhythmic pattern based on a regular, mechanical and repetitive beat. Rother, for his part, also worked with Dieter Moebius and Hans-Joachim Roedelius, members of Cluster; they later teamed up to found Harmonia.

Kling Klang Studio

Ralf Hütter of Kraftwerk once said that the synthesizer is a psychoanalytic machine. Indeed, synths were the instruments that nourished the music of this German band, who also happened to design the world’s most modern studio in a flash. They called it the Kling Klang Studio, sited in the centre of Düsseldorf. The project was started by Ralf Hütter and Florian Schneider in 1970, but was not finished until 1975, an event marked by the release of the record, “Radio-Activity”. During the eighties, the studio was refurbished according to a modular rack design, with a view to being taken along on their forthcoming tour. It was originally sited at 16 Mintropstrasse, but in 2009 it was relocated to Meerbusch-Osterath, some 10 kilometres from Düsseldorf. This move has enabled the studio and office to be located on the same premises. The new Kling Klang includes a rehearsal room for preparing concerts.

Kunstsammlung NRW

This is where, in 2013, Kraftwerk embarked on their current 3D tour which is taking them to emblematic places across the globe to present their daring visual show, during which the audience require 3D glasses to get a much more intense sensorial experience. At Kunstsammlung, art is the central focus. The backbone of the collection is made up of 88 works by Paul Klee, while the rest are highly valuable contemporary artworks.

The Düsseldorf Scene Today

The electronic scene is currently not as solid as it was a few years ago. Loco Dice is a local artist with some international acclaim within the minimal scene headquartered here – the Desolat label. Another label based in the city is Themes for Great Cities, the home of Wolf Müller, a project by Jan Schulte, one of the most restless souls on the local electronic scene at the moment and a direct heir to the Düsseldorf sound.

Salon Des Amateurs is undoubtedly one of the most interesting clubs in the city. It is located in the heart of the art community, namely the Kunshalle, an exhibition space specialising in contemporary art. When entering the premises, one is struck by the Max Ernst sculpture. Here, the kraut tradition blends with the most select electronic avant-garde. At “The Salon”, as it is known here, the whole liturgy of dance takes place. Two of the resident DJs are Jan Schulte and Detlef Weinrich, from the legendary elektronische musik group Kreidler, who pioneered a fusion of ambient, post rock and IDM in the nineties, although their sessions are characterised by a mix of krautrock, African percussion and cosmic jazz. The name is drawn from the Salon organised by the Société Des Artistes Français, an association of French painters and sculptors who held annual events featuring the work of non-professional artists. This was the spirit of the venue in its early years, marked by a certain degree of anarchy, as reflected in the type of audience that frequented the event, from professors in their sixties to teenage skaters. Loco Dice’s Desolat label is headquartered here and makes the club the cradle of the city’s techno once again. The mission of Salon Des Amateursis to take up where Creamcheese left off as a progressive music disco, heir to the non-objective art movement that set in during the late sixties and turned out to be essential to the birth and development of the krautrock style. Then there is Ratinger Hof, a refurbished pub near the Kunstakademie, which became the epicentre of the punk movement in the seventies and eighties, and was graced by bands of the stature of Kraftwerk, Neu! and DAF.It now operates more as a club and the audience is mostly young. Speaking of clubs, most of the ones that hosted electronic underground have now closed down. Only the 102, known as Kiesgrube during the summer season, is still going strong.

Come and experience the effervescent music scene in Düsseldorf. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Kraftwerk, Kunstsammlung, Salon Des Amateurs

Prague is a monumental city, with great historic buildings that bring unique, elegant and refined atmosphere to the city. But a contemporary artist got to the city to turn upside down its classic harmony with some of his weird work.

Born in Prague, David Černý is a controversial, irreverent and disturbing artist who loves to provoke the audiences. And he does so! His sculptures, with a remarkable social criticism, against power and authority, disturbed some of his audiences.

David Černý started his career as a provoking artist when, along with his colleagues at the arts school, painted in bright pink a tank from the soviets at the garden of the German Embassy -a monument to Czechoslovakia liberation in 1945-. Černý was arrested for his colourful attack but now this tank is exposed at the Military Museum in Lešany, 20 kilometers away from Prague, ad a freedom symbol.

His work is all around the city where this artist was born. There are many, but this is a little route to the most shocking and remarkable work.

Quo Vadis?

His first work, Quo Vadis?, was located at the German Embassy in Prague (Vlašská 19, Malá Strana). In Quo Vadis? Černý reinterprets Trabant, the most common car at East Germany, putting legs instead of wheels. It’s a tribute to over 3.000 Germans from the East who invaded the garden of this embassy on summer 1989, short after the fall of the wall.

The dead horse in Saint Wenceslaus

We already said that Černý’s work is the opposite to the classicism of this city. Thus, the dead horse of Saint Wenceslaus is a good example of that, oppositely to the classic stature located in the square of the same name. Saint Wenceslaus is, indeed, a symbol to the national Czech identity, and saint patron of Bohemia.
The version by Černý of this statue is pretty close to the original, at Lucerna avenue, but the horse is upside down, death and with its tongue out.

Viselec

You should pay attention when passing by the centric street of Husava, at Staré Mesto. Actually, you should look at the sky if you don’t wanna miss it. Above, you’ll see the hanging stature, a human figure that looks a lot like Sigmund Freud.
As with most of the work by Černý, it’s open to interpretations and the artist was never willing to reveal the actual meanings.

Piss

Located by Franz Kafka Museum, at Cihelná 2b, 118. These are two figures that move thanks to an electric mechanism who are peeing in a small pool with the same shape as the Czech Republic as they write quotes, from famous local authors, with the effluent.
Next to this sculpture there is a phone number where you can send SMS suggesting your own quote to be written by this peculiar sculpture.

Miminka babies

About 216 meters high, Žižkov is the telecommunications tower in Prague and the highest building in Czech Republic. Right here, David Černý located his disturbing work of ten dark babies who climb the building while crawling.
This sculpture can be seen also from the park at Kampa island, near Charles bridge.

Klaus & Knizak

At Futura Art Gallery (Holečkova 789/49), you should go by the stairs to find two great figures that are the bottom half of a human body to put your head by the hole on their bum. Inside, a satirical video is projected featuring the former president of the Czech Republic until 2013, Václav Klaus, and the artist Milán Knížák, feeding each other while the song "We are the Champions" is played.
This is a critic to the Czech politics and also to the voyeur viewer who just observers their actions without taking part.

Shark

In 2005, this work was presented for the Bienal in Prague, but it was forbidden in other exhibitions in Belgium or Poland. This piece presents Saddam Hussein’s image captive, on his underwear and bound hand and foot, immersed in a tank of formaldehyde. The work is signed by Mahoma and was presented one year before Hussein was killed, in 2006.

Quo Vadis? by VitVit | Pink tank by Hynek Moravec| Miminka by Evrik| Piss by UkillaJJ

So you feel like visiting Prague, do you? Book your flights here!