Düsseldorf is the capital of North Rhine-Westphalia. In the mid-19th century it experienced economic growth fuelled by the Industrial Revolution. During the Second World War, the city was practically reduced to rubble but, thanks to the German miracle, it soon became one of the economic powerhouses of the Federal Republic of Germany.

Düsseldorf – Centre of the Avant-Garde Universe

Brian Eno once said that the Neu! experimental rock band from Düsseldorf was one of the three most inventive beats of the sixties, together with Fela Kuti’s afrobeat and James Brown’s funk. In the late sixties and early seventies, a characteristic Düsseldorf sound started to take shape, based on elements of early rock combined with those of experimental rock. Michael Rother and Klaus Dinger were the pioneers and both of them were members of Neu!, a reference model in the development of the endless machine beat typical of krautrock and, subsequently, in the early creation of Kraftwerk, the primogenitors of modern electronic music. Dinger is also credited with being the originator of themotorik beat, a rhythmic pattern based on a regular, mechanical and repetitive beat. Rother, for his part, also worked with Dieter Moebius and Hans-Joachim Roedelius, members of Cluster; they later teamed up to found Harmonia.

Kling Klang Studio

Ralf Hütter of Kraftwerk once said that the synthesizer is a psychoanalytic machine. Indeed, synths were the instruments that nourished the music of this German band, who also happened to design the world’s most modern studio in a flash. They called it the Kling Klang Studio, sited in the centre of Düsseldorf. The project was started by Ralf Hütter and Florian Schneider in 1970, but was not finished until 1975, an event marked by the release of the record, “Radio-Activity”. During the eighties, the studio was refurbished according to a modular rack design, with a view to being taken along on their forthcoming tour. It was originally sited at 16 Mintropstrasse, but in 2009 it was relocated to Meerbusch-Osterath, some 10 kilometres from Düsseldorf. This move has enabled the studio and office to be located on the same premises. The new Kling Klang includes a rehearsal room for preparing concerts.

Kunstsammlung NRW

This is where, in 2013, Kraftwerk embarked on their current 3D tour which is taking them to emblematic places across the globe to present their daring visual show, during which the audience require 3D glasses to get a much more intense sensorial experience. At Kunstsammlung, art is the central focus. The backbone of the collection is made up of 88 works by Paul Klee, while the rest are highly valuable contemporary artworks.

The Düsseldorf Scene Today

The electronic scene is currently not as solid as it was a few years ago. Loco Dice is a local artist with some international acclaim within the minimal scene headquartered here – the Desolat label. Another label based in the city is Themes for Great Cities, the home of Wolf Müller, a project by Jan Schulte, one of the most restless souls on the local electronic scene at the moment and a direct heir to the Düsseldorf sound.

Salon Des Amateurs is undoubtedly one of the most interesting clubs in the city. It is located in the heart of the art community, namely the Kunshalle, an exhibition space specialising in contemporary art. When entering the premises, one is struck by the Max Ernst sculpture. Here, the kraut tradition blends with the most select electronic avant-garde. At “The Salon”, as it is known here, the whole liturgy of dance takes place. Two of the resident DJs are Jan Schulte and Detlef Weinrich, from the legendary elektronische musik group Kreidler, who pioneered a fusion of ambient, post rock and IDM in the nineties, although their sessions are characterised by a mix of krautrock, African percussion and cosmic jazz. The name is drawn from the Salon organised by the Société Des Artistes Français, an association of French painters and sculptors who held annual events featuring the work of non-professional artists. This was the spirit of the venue in its early years, marked by a certain degree of anarchy, as reflected in the type of audience that frequented the event, from professors in their sixties to teenage skaters. Loco Dice’s Desolat label is headquartered here and makes the club the cradle of the city’s techno once again. The mission of Salon Des Amateursis to take up where Creamcheese left off as a progressive music disco, heir to the non-objective art movement that set in during the late sixties and turned out to be essential to the birth and development of the krautrock style. Then there is Ratinger Hof, a refurbished pub near the Kunstakademie, which became the epicentre of the punk movement in the seventies and eighties, and was graced by bands of the stature of Kraftwerk, Neu! and DAF.It now operates more as a club and the audience is mostly young. Speaking of clubs, most of the ones that hosted electronic underground have now closed down. Only the 102, known as Kiesgrube during the summer season, is still going strong.

Come and experience the effervescent music scene in Düsseldorf. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Kraftwerk, Kunstsammlung, Salon Des Amateurs

Dornbirn is a town in the administrative district of the same name, located in the federal state of Vorarlberg in Austria. it lies south of Bregenz, near the borders of Switzerland, Germany and Liechtenstein. The Dornbirner Ach river flows through the town before draining into Lake Constance. Dornbirn is the largest town in Vorarlberg and an important hub of trade. It is the regional site of ORF (the Austrian Radio and Television Service), the Fachhochschule (Vorarlberg University of Applied Sciences) and other institutions. The town was a major centre of the textile industry until its decline in the 1980s.

The Martinimarkt (St Martin’s Market) of Dornbirn is one of the leading markets in Austria. Participants include exhibitors, schools, clubs and restaurants from all over the district. The hallmark of this market is its pronounced nostalgic character, as everyone dresses up in costumes from the early 19th century. This year’s theme is “sharing” as legend has it that St Martin shared his cloak with a beggar. This has prompted merchants to offer visitors their regional or homemade wares. Schools and clubs make special offers on that day, too, and workshops are held to show how hand-made or recycled products are crafted. As in previous years, the Martinimarkt is held in the town centre, which turns into a huge stage hosting a mass tableau vivant.

Market Day

The day starts early. At 8.45 a.m. everyone converges around the clock tower, adjoining the market square, where free coffee is served. This is the gesture by which the merchants welcome their visitors. At 10 o’clock, the mayor, attired in period costume, presides over the official opening ceremony by delivering a speech from the Red House staircase.

Afterwards, to get into the swing of things, you either wander around the street stalls or stand and watch people filing past. It is like going back in time to a period in which the word “motor” meant as little as “iPhone 7”. Here, you can find anything – and try everything, too! When it comes to cuisine, pride of place is given to traditional local cooking: coffee, käsfladen (flat bread and cheese typical of the region), noodle soup, apple fritters, potato balls, etc. The entertainment part includes a dance floor for participating in the local folk dances, with live music provided by a band, making for a setting seemingly having leaped out of a romantic novel, while children can have a whale of a time in the antique fairground. One of the most popular games here is the wheel of fortune, the proceeds of which are earmarked for charity.

Dinner and Overnight

After a day packed with emotions, your legs start feeling heavy as evening approaches. At this stage, the best thing is to get your strength back and have a hearty dinner. Here are some recommendations in the fascinating town of Dornbirn.

1. Rotes Haus

If you want to discover local cuisine in all its splendour, head for Rotes Haus. This restaurant is a classic. What’s more, it is located next to the market square, so you can’t get any closer than that. When we went there, we ordered a consommé with panqueque (a South American variation on the pancake) with grated local herbs, and a breaded beef escalope with parsley potatoes and cranberries – we loved this typical local dish!

2. Zum Verwalter

This is actually a boutique hotel gourmet-restaurant. The establishment is a lovely timber house which will wow enthusiasts of interior design, as all the rooms are done out in different décor. Each space is a story on its own. The gourmet restaurant is on the ground floor. It is certainly unique as far as local catering is concerned. The restaurant enjoys long-standing acclaim, thanks to its marked admix of traditional cuisine, striking a marked contrast with the young catering staff. They offer locally sourced market produce. Their meat is outstanding, while the roast beef is spectacular!

3. Pasta Fresca da Giovanni

This is clearly the best value-for-money option. Located on the Stadtstrasse, this restaurant is conveniently situated next to the main road going through the town. The interior is very relaxing as the decoration is sparse. We recommend you order the pasta of the house, as they make it themselves. The ravioli stuffed with plum and the cheese-fondue potatoes are unbeatable.

All aboard for your trip back in time… check out our flights.

Text by ISABELYLUIS Comunicación

Images by Jerey Keith, Pasta Fresca da Giovanni, Zum Verwalter

Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

Don’t wait to see these Modernist architectural jewels in A Coruña. Check out our flights here.

Turismo A Coruña

It’s clear that to add the most before an adjective always brings a certain controversy. Even more if it’s about choosing the most beautiful village of a country. In this decision, several factors are kept in mind such as its artistic and historic heritage and the landscape that surrounds it. To this effect, its citizens, associations and institutions make an effort and put all their determination in embellish it, because it will affect favourably in attracting tourism and its develop.

In Spain, the association Los pueblos más bonitos de España makes its selection choosing between the most isolated, in the mountains, or the historical, or the beautiful villages bathed by the Mediterranean Sea or the Cantabric Sea. Towns like Ronda in Málaga, Vejer de la Frontera in Cádiz, Cangas de Onís or Cudillero in Asturias, Altea in Alicante, Albarracín in Teruel, Úbeda in Jaén, Priego de Córdoba in Córdoba, Comillas in Cantabria, Laguardia in La Rioja or Alquézar in Huesca never miss these rankings.

In France, the association Les plus beaux villages de France has its own list, where villages like Pesmes, Eguisheim, Yvoire, la Grave, Saint-Suliac, Parfondeva, Josselin, Monte Saint-Michel o la Roque-Gageac are the highlights.

In Italy we have a multitude to choose amongst the little villages distributed all over the Tuscany, the colorful towns in the South, Vernazza or Manarola in Cinque Terre, San Gimignano or Tropea in the Calabrian coast, not to mention its fairytale charming villages that spread Germany or Switzerland.

In England also exists this interest to get declared the most beautiful town. Per se, the picturesque English countryside is an excelent frame, with beautiful landscapes and splendids medieval towns with an enormous historical value.

In the area of Cotswolds there are huge pile of them, so it is difficult to decide for one. Perhaps a good candidate to gain such valued title seems to be Knaresborough. It’s a town with medieval origins that was, for a long time, a spa town for the burgeoisie, in the county of North Yorkshire, at the north-east of England.

It keeps excellent historical monuments, like Knaresborough Castle, the viaduct over the Nidd river, passages that surround you in mistery and its houses, squares and stone stairs, which weave a path through the river until the peak of the hill.

We can also approach to Shanklin, a little village in the east coast of the Wight Island, that was an usual beach destiny during the Victorian epoch. What makes it so special are its vegetable roofs which give particular charming and a kind of rustic air.

Its sand beaches that continues beyond Desando and Shanklin, the Victorian pier, the picturesque defile that leads until the old beach and its old quarter, where the old methods of building roofs are preservated, make this town a solid candidate of the most beautiful town in England.

But, apparently, the prize is shared between Bibury and Castle Combe. The secret of the charming of Bibury, in Gloucestershire county, lies in its stone houses and its loftly roofs. Also the natural landscape of the town, surrounded of streams and ponds.

That’s how the poet and artisan William Morris thougt it, who baptised it years ago as the most beautiful town in England. And so The Huffington Post, that named it in the ranking of "The Most Charming Towns In Europe You'll Want To Visit ASAP".

On the other handm Castle Combe has been the setting of lots of movies, such as Steven Spielberg’s War Horse or Matthew Vaughn’s Stardust, among others. And it’s not of coincidence. Castle Combe is placed very close from the Cotsworlds Capital, Cirencester, a series of hills that crosses the south-east and west zone of England.

All the zone stands out for its natural beauty and this town has shown worthy of be one of the most beautiful places. Without any discordant in its architecture and by its charming and the peace that one can breath, Castle Crombe conquers everyone that visits it.

But, as there’s no accounting for taste, the best way to choose is go to England, take a look and decide for oneself.

Picture Castel Combe by Saffron Blaze

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