We know that Tintin travelled to America, the Soviet Union, China and South America… he even got to step onto the moon! But, where did the endearing reporter created by Hergé actually live? While the cartoonist never revealed it explicitly, there is no doubt that Brussels, where Hergé lived all his life, is the backdrop in the cartoon strips whenever the amusing reporter and his faithful dog, Snowy, are captured at home. We ventured into Tintin’s haunts and discovered the palaces, museums, hotels, theatres and parks in Brussels which Hergé converted into comic artefacts.

On their return from their first adventures in Tintin in the Land of the Soviets, Tintin and Snowy are welcomed as heroes by a crowd in the Gare du Nord, an exact copy of the former Brussels Gare du Midi. Now featured in the railway station is a mural inspired by a cartoon of Tintin in America to mark the centenary of the birth of Georges Remi, “Hergé”.

In the second of his 24 adventures, the iconic reporter and his faithful friend travel to the Congo, an album which Hergé was likely inspired to pen after various visits to the Royal Museum for Central Africa. Among many other nods, the leopard man that threatens Tintin in the comic is an imitation of the statue sculpted by Paul Wissaert on display in that museum.

The address, 26 Labrador Road, is well known to Tintinophiles. First mentioned in The Broken Ear, don’t waste your time looking it up in a Brussels street finder. Instead, head for 26 de la rue Terre-Neuve, where you will come across an uncannily similar building to the one where the young reporter’s flat was located!

Built in the late-19th century on the south side of the Royal Park, the Royal Palace stands out as one of the most emblematic landmarks in Brussels. This majestic building was where Hergé drew inspiration for the Royal Palace of Syldavian King Muskar XII in King Ottokar's Sceptre.

Dating from 1873, the Flea Market or Marché aux Puces, located in the Place du Jeu de Balle, is the Brussels mecca of collectors, antiquarians, treasure hunters and bric-a-brac seekers. It was at this flea market that Tintin discovered the model ship at the opening of The Secret of the Unicorn.

However, it was most likely in The Seven Crystal Balls that Hergé captured most of Brussels’ architectural landmarks. For example, in this thirteenth instalment of The Adventures of Tintin, one of the city’s most emblematic hotels appears – the Metropole. Also easily recognised in this comic album is La Monnaie theatre, renamed the Music-Hall Palace. And, the mansion where Professor Hercules Tarragon lives is the spitting image of the opulent villa on Avenue Delleur 6.

Also in The Seven Crystal Balls, we come across the character, Rascar Capac, a mummy inspired by a relic on display in the Cinquantenaire Museum. Hergé was a regular at this gallery, where he went in search of ideas. It was also where he discovered the fetish created by the Arumbaya, the focus of the storyline in The Broken Ear.

Another prime magnet for Tintinophiles is the southern Brussels district of Uccle, one of the nineteen districts making up the Belgian capital. In Uccle we find the Brussels Planetarium, an observatory which Hergé portrayed in The Shooting Star. Interestingly, the Centre Culturel d'Uccle has a statue of Tintin on display, while in the district cemetery, a short distance away from where he lived until his death, is the artist’s grave. A plaque at 33 Rue Philippe Baucq, in the more central district of Etterbeek, reminds visitors that this was the birthplace of Georges Remi “Hergé”. (The house is not open to the public.)

At Louvain-la-Neuve, less than half an hour from the centre of Brussels, stands the Musée Hergé. Designed by the French architect, Christian de Portzamparc, the Hergé Museum is three storeys high and has 8 exhibition halls, featuring 80 original prints, 800 photographs and countless documents and miscellanea related to the life and work of the creator of Tintin and Snowy.

Highly recommendable for Tintin lovers in particular, and enthusiasts of the ninth art in general, is a visit to the Brussels Comic Strip Centre (Rue des Sables 20) which features thousands of original works relating to some of the most outstanding Belgian creations in the comic world, notably The Smurfs, Lucky Luke, Spirou and Tintin, among others.

The huge dragon from The Blue Lotus painted on the ground at the entrance to rue de la Colline 13 announces your arrival at the Tintin Boutique. This is the ideal store for stocking up on all types of objects and souvenirs associated with the illustrious reporter and his endearing troupe of cartoon companions.

Fire up and venture into the world of Tintin – book your Vueling to Brussels here.

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Images by Oscar W. Rasson, Julien, Andrea Carrozzo, CTJ71081, Dustin Hackert, Laurence Livermore, Su-Lin, Stephane Mignon

In spring, Barcelona becomes a hysterical city. Any idea of making the most of a weekend or sightseeing in the city turns into a pulsating, 1,000-rpm power tour. Downtown fills with end-of-year student trippers skipping through the streets in search of the perfect souvenir, anachronistic sightseers clutching at maps trying to ascertain points of interest, Asians taking selfies, their outstretched arm included, tour guides holding umbrellas and loudspeakers and, willy-nilly, the odd local tramp who peeps out and then, unnerved, retreats with a bewildered expression. The collective hysteria is centred on the Gothic Quarter, but its shock waves reach the Barceloneta, the Born and the Eixample. Here, finding a quiet corner to recover one’s strength before sallying forth into the streets again seems to be an impossible feat. But, it is not – here are some of our favourite spots for going into pause mode:

If you’re the kind that goes for design, at Vinçon (Pg de Gràcia, 96) you’ll find an endless array of exquisite decorative items – all top drawer! You’d be hard put to enter Vinçon without getting lost in the corridors crammed with unusual designer items, but it’s certainly rewarding not to. If you manage to locate the staircase leading up to the first floor, you’ll be surprised to come across the lounge of an old Modernist house. Preserved in this extension to the store are the ceilings, walls, flooring and chimney of a house that once belonged to the renowned early-20th-century Catalan painter, Ramón Casas. On the far side of the floor you come to a terrace which is a must-see. The inner court of the building affords some unusual views of the back of La Pedrera, one of Antoni Gaudí’s architectural masterpieces. You will also be able to survey a typical inner court of a whole street block characteristic of the Eixample district, complete with washing hanging out to dry, colourful blinds and inviting terraces. Noteworthy are the centuries-old trees piercing the terrace paving and a fairytale house at the end of the store patio. And, while the pleasure of going into a store without a consumerist purpose is growing on us, we might as well make a foray into Servei Estació, at Calle Aragó 270, on the corner of another of Gaudí’s famous buildings, the Casa Batlló. This store is quite an eye-opener, what with its compendium of DIY items, party decorations, stationery… in short, yet another maze of tasteful objects where the first floor is well worth seeing. If you go up to the terrace, you will be treated to further views of an Eixample patio and, once again, a different angle on Gaudí’s outlandish building. Here, a selfie is de rigueur.

In the heart of the Gothic Quarter lies one of the city’s most touristy streets, the Calle Boquería. The ground floor premises of these beautiful buildings, along what was once one of Barcelona’s most stately streets, are now given over to souvenir shops, paella-and-sangría eateries and cheap hotels. In the old days almost all buildings had a patio at the back. Nowadays, this area has either been excised or is inaccessible. However, via the Hotel Petit Palace Boqueria you can gain access to one such patio which is now part of a network of public parks in the city, a veritable backwater of tranquility and a pleasant surprise for tourists and locals alike. Another palatial mansion that belonged to the 18th-century Barcelona nobility now houses the Antic Teatre, a creative, experimental centre of the scenic arts which stages innovative performances outside conventional theatre circles. While you’ll certainly find their shows surprising, the interior garden concealed on the first floor is even more so. It is part of the theatre bar, which is open all day and has neighbourhood prices, so having a beer while you’re sunning yourself without paying through the nose is really possible in this magical enclave in the Born quarter. It is located just a few metres from the Modernist and very modern Palau de la Música Catalana. Discovering this building is guaranteed to boost your endomorphins to the limit.

These spots, where the city stands still, are havens of peace and quiet that should be confided to once closest friends only, in order to preserve their tranquility in the long run. If the crowds eventually descend upon them, we will have to seek out other oases, although this will be an increasingly more difficult task to accomplish. But the endless city that is Barcelona is unlikely to disappoint.

If you enjoyed this route and are eager to see more, head over to Insòlitbarcelona, a website dedicated to unusual itineraries in Barcelona. What are you waiting for to discover these spots. Check out our flights here.

Text by Insòlitbarcelona

Images by Insòlitbarcelona

By Adela Nieto Cerrada from callejeandoporelplaneta.com

Santiago de Compostela is a city that enchants pilgrims and travellers alike since, on arriving after your journey, its streets and squares start to come alive, bustling with life. After travelling hundreds of kilometres, some joyful, some painful, we finally get to rest in Plaza del Obradoiro square, having fulfilled our duty by visiting the Apostle who was anxiously waiting to welcome us in the cathedral. This is when, exhausted and excited, we begin our discovery of what lies in the city of Santiago with its hostels, restaurants and shops hidden away on side streets. Now we can start to soak up and experience the city's mix of tourism, student life and pilgrim destination.

Santiago de Compostela is home to major cultural heritage and even more important hidden gems that make it a unique city:

Plaza del Obradoiro square 

A social and institutional symbol, it is not only the final stop on Saint James' Way but also where the different state powers are represented through the marvellous architectural combination. The imposing cathedral was begun in the 11th century in a Romanesque style but was later extended with Baroque, Gothic and Renaissance features including the Gloria Portico and the cloister. The Archbishop's Palace is a must-see, right next to the cathedral, with its different rooms, courtyards and vaults. The Hostal de los Reyes Católicos, the former pilgrim's hospice which, like the rest of the city, gradually transformed over time is today a National Parador Hotel. San Xerome College, a precursor to today's university, was originally built by Bishop Fonseca to house poor students. The Neoclassical-style Town Hall, the last building to be constructed in the square and enclose the space definitively, is home to the President's Office of the Galician Regional Government.

The University

Santiago de Compostela is inherently linked to pilgrims and students, both having transformed the city into an essential stop for any traveller. In turn, the history of the university is intimately linked to the city's history where, at the end of the 15th century, a small college was founded to provide language classes to children from poor backgrounds. The initiative was successful over the years and the facilities were extended until 1504 when Diego III de Muros won a papal bull to offer higher education courses. Since then, and for over 500 years, the USC has been a prestigious institution, renowned around the world. In addition to its undeniable academic excellence, it also populates the streets with students and 'Tuna' period music troupes.

The Old Town

The maze-like centre of Santiago overflows with life day and night: cobbled streets, historical buildings, aristocratic palaces, hidden monasteries, hostels for pilgrims, shops, restaurants, leisure spots, markets and bazaars all comprise the beating heart of a city that goes to bed in the early hours and rises with the first rays illuminating the Apostle. Aimlessly wandering the old town is akin to travelling back in time - close your eyes for a second and when you open them again, you soon realise that life continues as it has over the ages. Strolling the streets is a unique experience where we all end up finding our own special place and where a bustling routine has continued every day since mediaeval times.

The Vantage Points

Experiencing the real Santiago means wandering the streets although for one of the best views over the centre, you need to head beyond the walls of the old town towards one of the parks that surround the city. La Alameda Park is in the east end where the benches immortalise the best sunsets over the cathedral. Belvís Park is in the west, next to the Albergue del Seminario Menor hostel, and offers views over the old town in all its splendour. Mount Gaiás lies to the south and is home to the immense Galician City of Culture. One of the best vantage points in the centre is from the terrace at the Faculty of History and Geography, offering astounding panoramic views over the surrounding area of Santiago.

The Locals

The city's old town is a World Heritage Site although its true value lies in its local people who, over the years, have spread the city's renown across the globe. Originally farm labourers and dedicated to country life, the city's people have changed over time, opening shops, setting up businesses but always remaining modest folk, ready to help others without asking for anything in return. Throughout the ages, Santiago de Compostela has been the birthplace of illustrious figures such as the great poetess Rosalía de Castro, Archbishop Fonseca, a precursor in establishing the university, or the surgeon Gómez Ulla, Chair of the Professional Medical Association; nonetheless, it is the unknown locals who continue to be the true heart of the city and its best heritage.

Makes you want to go, right? Do it! Check out our prices here!

One of the things that struck us most about Palma is the marked presence of art, and not only in art galleries. We saw sculptures scattered about everywhere so, take note – when you’re strolling around streets and parks, you’re likely to bump into works by such renowned artists as Chillida (at the end of the Rambla), Calder (S’Hort del Rei) or Oppenheim (his “Upside Down Church”, located in the Porta de Santa Catalina, is amazing).

But, king of them all, as far as art is concerned, is undoubtedly Joan Miró. The Catalan artist had strong ties to Palma. He spent the last 27 years of his life on the island of Majorca, where he produced one third of his entire oeuvre. Indeed, you can still feel his presence in Palma, 34 years after his death. And, in many instances, we came across creations of his incorporated into modern architectural ensembles, as in Es Baluard, The Pilar i Joan Miró Foundation and the Parc de la Mar. We spent a weekend in Palma, hot on the heels of Miró and, truth be told, we were fascinated by his vast production, still very much in evidence in the Balearic capital.

Miró – Over 50K Followers A Year

When it comes to this great artist, the paramount landmark here is clearly the Pilar i Joan Miró Foundation, which receives more than fifty thousand visitors each year. The venue is unique in that you feel enveloped by Joan Miró’s creative atmosphere, set up by the exhibits, workshops and a natural environment full of inspiration. Miró will also go down in history for his collaborative endeavours with such eminent architects as Josep Lluís Sert, a member of the second generation of architects in the so-called Modern Catalan Movement. Miró coincided with the exiled Sert in Paris after the Spanish Civil War. In 1956, he settled in Majorca, specifically at Son Abrines, where he was fortunate enough to have a magnificent studio designed by his good friend, Sert. The current Foundation building was designed by Rafael Moneo.

The other venue where visitors can enjoy the work of this artistic genius is Es Baluard, Palma’s Museum of Modern and Contemporary Art. On display there are works by the leading artists and movements that converged – and continue to do so – in the Balearic Islands, from the beginning of the 20th century until the present. Their offerings are exhibited in relation to other domestic and international art contexts.

The building, designed by Lluís García-Ruiz, Jaume García-Ruiz, Vicente Tomás and Angel Sánchez Cantalejo, is set on three floors which interact with one another, as well as with the exterior and the city walls, by means of ramps, skylights and large interior balconies, articulated by way of an indoor street complex. But, what most caught our eye was the way the exterior spaces are conceptualised as exhibition areas and walkways via a spectacular path leading along the walled perimeter. The large cistern has also been retained as both an exhibition space and an area for staging activities.

Miró Takes the Laurels in Palma

However, Miró’s presence goes further still. On a stroll through Palma you may come across three creations by the master of the avant-gardes – two sculptures (one on the Avenida Jaume III, near Passeig Mallorca, and the other at the foot of the Royal Palace of the Almudaina) and a mosaic (Parc del Mar). You can also admire two of his works in the Juan March Museum Foundation, namely “Peinture (Femme, Tige, Coeur)” and “Le Perroquet”, both from the interwar period. The Museum is a must-visit if you’re eager to take the pulse of contemporary Spanish art, and is located in an amazing 17th-century palace at number 11 Calle Sant Miquel. Lastly, just 200 metres away stands the Hotel Joan Miró, the only hotel themed around the celebrated contemporary artist, with its rooms and other areas inspired by his work. It also boasts 28 original works by Joan Miró displayed at different spots around the hotel.

Creativity Spreading To Other Disciplines

The omnipresence of art in the city means creativity tends to be everywhere. Even in holy sites, as in the Cathedral, adorned as it is by the creations of modern and contemporary artists, notably Gaudí (Modernist baldachin and pulpit) and Barceló (Chapel of the Most Holy). Design wins out handsomely from this creative urge – a host of studios have sprung up throughout the historic centre, and hotels, too, have jumped on the bandwagon. We can recommend the Nakar Hotel, a member of the select international network of Design Hotels, located on Avenida Jaume III, the city’s major shopping hub, and very near Passeig Mallorca, a strategic area on account of its proximity to the Santa Catalina quarter. Its interior concept and design is the work of Majorcan designer Marta Rotger, who opted for a sober, rationalistic style in its lines and forms. The hotel’s other claim to fame is its CUIT Restaurant, located on the 8th floor, affording spectacular views over all of Palma de Mallorca. And the food is divine, too! Their chef, Miguel Calent, is running on a high and his creations are based on the Majorcan culinary tradition with Mediterranean influences, filtered – we might add – by renewal.

Gear up and steep yourself in the brilliant universe of Joan Miró in Palma de Mallorca. Check out our flights here.

Text and images by Los Viajes de ISABELYLUIS