Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

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Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

Venice is a city in north-eastern Italy made up of 118 little islands separated by canals and joined by bridges. It is famous because of the beauty of its setting, and its architecture, and its art. This is why the whole city, including the famed lagoon, has been designated a World Heritage Site.

It is named for the ancient Veneti people who inhabited the region in the tenth Century before Christ. The city is known variously as La Dominante, la Serenísima, the Queen of the Adriatic, the City of Water, the City of Masks, and the Floating City. In a piece inThe New York TimesLuigi Barcina described it as "the most beautiful city ever built by man”. It is universally regarded as one of Europe’s most romantic cities, where visitors can enjoy the waterway, gondolas, palazzos, old treasures, and delicious cuisine, as the water laps ceaselessly against the walls of fabulous churches and other ornate buildings. A boat ride down the Grand Canal makes you feel like a figure in an old painting.

Venice is an open-air museum. Its architecture, monuments, and buildings reflect its Byzantine heritage, and nowhere more strikingly than in the mosaics of the Basilica de San Marcos. Very near the Piazza de San Marcos (St. Mark’s Square),we find the Palazzo Ducale (Doge’s Palace), where the city’s ruler once dwelled, and which exemplifies the ostentation of the Renaissance period. Visitors may descend to the gloomy palace dungeons, and then get some fresh air on the famous Ponte dei Sospiri (Bridge of Sighs), where prisoners often caught their last glimpse of the Adriatic.

The city’s main street isn’t a street at all, but the celebrated Grand Canal. This is a good place to buy a City Pass, the most economical option for moving around Venice on its vaporetto water buses, with many stops along the Grand canal.

One of the numerous mansions along the canal is the sumptuous, 14^th C. Palazzo de Santa Sofia; better known as the Ca d’oro, (house of gold), because the abundant gilt in the polychrome and white marble exteriors that once made this lovely Gothic building shine like a jewel. There is also the famous Rialto bridge, which retains all the elegance that made it such a sensation when it was completed in 1591, 400 years after the first pontoon bridge was built on the site.

A city’s true character is often to be found in its markets, and Venice has two that should not be missed by visitors. One is the Erbaria product and fish market in the Rialto district, where you should check out the local asparagus and artichokes. Then there is La Pescheria for a dazzling variety of mainly local fish and seafood.

For connoisseurs of Italian cuisine, the Riva del Vinis the place to find the café or restaurant of your dreams in a quiet riverbank setting. Other excellent restaurant districts are Campo Santa Margherita, with its floating terraces, Zattere, where you can watch the sun set over the Laguna Veneto, and the streets near the fashionable Campo Giacomo di Rialto,where many Venetians take their “aperitivi” in the late afternoon. Try a Spritz and a snack of delicious codfish. The classic Venetian recipe for Spritzes, by the way, is 1/3 dry wine like Prosecco, 1/3 soda or bubbly mineral water, and 1/3 sweet Aperol or bitter Campari.

Outstanding amongst the city’s numerous museums is the Guggenheim, with possibly the continent’s best collection of European and American art from the first half of the 20^th C, housed in the old Palazzo Venier dei Leoni on the Grand Canal, where it was opened in 1980 to show Peggy Guggenheim’s personal collection, masterpieces from the Gianni Mattioli collection, a garden of sculptures by Nasher, and temporary exhibitions.

To view the city in all its splendour from a distance you can take a number 42 vaporetto at the San Sacaria stop in St. Mark’s Square to the island of Murano, passing the Fondamento Nuove and stopping to visit the San Michelle cemetery, a “cemetery island”, where you can see the graves of such luminaries as Igor Stravinsky, Joseph Brodsky, Sergei Diaghilev, Ezra Pound, and Luigi Nono.

If all the water makes you hanker for a beach, there’s the legendary,Lido –a 7-mile long sandbar in the lagoon– with its many stylish cafes and restaurants.

To really discover Venice, you need to get lost there, so use the vaporettos freely and get off at any stop –the streets are safe even after dark. And a night-time visit to St. Mark’s Square is an experience you will always treasure.

Venice. There’s simply nothing like it. However often you visit, the surprises keep coming! Now’s the time to book a flight there with Vueling. Check out our prices here!

Photos: Fernando Sanz
Text: Tensi Sánchez de actitudesmgz.com

By Tensi Sánchez from Actitudes Magazine

Frankfurt on the Main, commonly known as Frankfurt, is one of the most important cities in Germany and one of Europe’s leading economic and financial centres.

Tradition and modernity live side by side in this German city on the banks of the River Main. Its skyline of metal and glass buildings is reminiscent of the famous views of Manhattan as seen from the Hudson River. Although modernity has made its mark on this Bavarian metropolis, many architectural treasures still remain of what was, centuries ago, one of the most important cities in the German empire.

A perfect symbiosis that endows Frankfurt on the Main with a timeless ambience, where conservative German style, contemporary architecture, classic European art and cutting edge design create a fusion that makes this city an ideal destination for all types of tourism.

From Haupbanhof, the city’s main station, we can explore almost the entire city without having to use public transport. As we stroll among Frankfurt’s modern building’s, the old city begins to make its presence felt ever more clearly with each step. Along the cobbled streets in the city centre, we discover magnificent examples of classic German architecture: balconies teeming with flowers, houses with red tile roofs and picturesque buildings that reflect the history of a Medieval city.

The main artery of the city is the Zeil and adjoining streets, all full of shops and shopping arcades. We recommend visiting Zeil Galerie, where we find shops like The Hub, a concept store offering such brands as Acne and Filippa K, as well as the boutique Balmain, Mathew Williamson and vintage articles at Moschino, Vivienne Westwood and Issey Miyake, among others. Another great option is Superette du design, a spectacular shop selling decorative items and gadgets, or Leonid Matthias, a multi-brand store with articles by both German and international designers. From the Zeil Galerie roof-top terrace, you can enjoy fabulous views over the city centre.

The city’s old quarter is home to many famous buildings, such as the former Römer city hall inRömerberg square, Hauptwache, Frankfurt opera house, St. Bartholomew’s Cathedral, the Stock Exchange guarded by a bronze bull and a bear that represent the ups and downs of the stock market. The historic city centre boasts modern, state-of-the-art buildings such as the European Central Bank and theMMK Museum of Modern Art, one of the most important contemporary art museums in the world. Its vast collection includes works by Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Pablo Picasso, Mario Merz, Jeff Wall, Marlene Dumas, Bruce Nauman… The museum is also home to the Club Michel City restaurant, offering a pop-art ambience, the perfect place to take a break and wind down.

On the banks of the River Main we find the museum area, popularly known as Museumufer (Museum Embankment) a series of ten wonderfully restored villas converted into cultural spaces, all with cafés, shops and extensive gardens. One of the finest is the Museum für Angewandte Kunst (Museum of Applied Arts), where you can find fashion design and Asian decor alongside locally designed furniture from 1925 through to 1985. The museum also has a concept store and restaurant. Another great museum in Frankfurt  is the Städel Art Museum, which houses one of the finest collections in Germany: Rembrandt, Edgar Degas, Johannes Vermeer, Botticcelli…along with other great masters.

One of the city’s greatest attractions must be the Frankfurter Skyline, which includes some of Europe’s tallest skyscrapers, towering over 331 metres. And some of the city’s bridges offer fabulous views of the sunset.

The Frankfurter Skyline encompasses over 26 skyscrapers, including: Commerzbank Towerdesignedby Norman Foster and at 259 m is considered the tallest building in Frankfurt and the second tallest in the European Union, although it is surpassed in height by Europaturm at 331m, but this observation tower is not generally regarded as a building as it has no consecutive floors that can be occupied.
It is also worth mentioning Westendtower, Opernturm, Tower 185 and Main Tower, the latter being one of the most visited by tourists (entrance charged) and has an excellent restaurant known as Main Tower Restaurant & Lounge.

The Eurotheum skyscraper is home to INNSIDE Frankfurt Eurothem, the ideal place to relax in the evening, located as from the 22nd floor and serving wonderful cocktails to the sound of live piano music while we marvel at the breathtaking views. A truly unique experience. While this hotel is quite incredible, those who are not too keen on heights and prefer a more relaxed atmosphere can stay at the vanguard hotel that is part of the same chain,INNSIDE Frankfurt Niederrad, just one stop from the main train station and the perfect place to relax and wind down after exploring the city.

Picture by Rubén Seco

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Bad-minded gossip says that the city of Apostol is the biggest village in Galicia, which paradoxically is something that true-blood Santiago-dwellers take to be a compliment. And it is, because as a parameter for quality of life, there is greenery and vegetation on every corner of the ancient city, and it makes it special. Green clambers over the seven hills; it invades all of the stony gutters in the streets; it even dares to boldly play with the façade of the cathedral.

In "Huertas", the back garden of Obradoiro, urban and rural mix mimetically, without any kind of ego struggle. The city has lately succumbed to the unstoppable advance of the green element. Compostela has always had a kind of contest between the weight of its history and modernity. The presence of what is old is counteracted by ragingly modern avant-garde architecture, and has turned the great green spaces into a network of world level parks. More than a garden city, it is a garden with districts inside it.

Let's assume that the stone forest has overwhelmed you by its beauty, and you now want to meditate. We suggest taking a green route to see a unique side of Compostela. This would be my list of top Compostela parks.

1.-The Eternal Alameda Park. It is not new. It is the nineteenth-century park par excellence. At the foot of Porta Faxeira, and separating the old and new areas, it has been clothed in the history of the city since last century, when it was turned from a private estate into one of the most beautifully classical parks in the world. It has everything it needs to make you fall in love: hundred-year-old trees with their dry, twisted trunks; the Herradura walkway, also called the Cholesterol walk - for recovering from an excess of Galician food; the most beautiful views of all sides of the town; fountains; churches; wrought-iron benches from the turn of the century; and the bandstand that is essential for any provincial city worth its salt.

2.-Bonaval. Design and modernity near the old area: From a domesticated park, we go to a magical place that embraces the historical quarter. The old monastic garden of Santo Domingo always had a slightly esoteric side. Abandoned for years, its soft sloping terraces were taken by Siza and turned from a leafy park into a highly modern piece of design work. Meticulously pruned green areas, caves, an ancient graveyard integrated into the park, and magnificent views of the cathedral are all blended with the existing old stone structures and ruins. Water, cave and "strange" shapes make it modern, enigmatic and special.

3.-Banks of the Sarela. An enchanted forest in the centre of the town: two rivers cross Compostela, in the Barrio del Carmen. When eco-hiking became really fashionable, a decision was made to restore their abandoned banks and make the most beautiful urban-rural walk I have seen. The several kilometres of incessant water of the winding Sarela, babbling springs between wooden footbridges, stone bridges, thick forests and even abandoned tanning works make the place a natural, rustic garden - in the heart of the city.

4.-Belvís. Monastic splendour behind the old part of town: Belvis is a watercourse that was always considered a green backbone to the East of the historic quarter. And it was always abandoned. A passageway between Virxen da Cerca and the traditional Belvis, this park highlights the beautiful hills that surround this hollow. It is a real gift for your eyes: the splendid monasteries of Belvis and the Seminary at the top, the stony Santiago that rises up above, and an always silent and scenic park, whose maze is a perfect place to lose yourself.

5.-Vista Alegre Park. The park of surprises. The wealthy Simeón family opens its small palace and magnificent garden. You enter through the two old gates to the property that are always open, and the pink country-house has all the elements of the Galician country-house, such as the chapel, galleries, etc. If the garden were the prototype of any powerful family, special effort was put into dressing each of its corners with the most florid avant-garde architecture. The SGAE headquarters like the Flintstones' house; Casa Europa; Escola de Altos Estudios Musicales; the Natural History Museum. Four avant-garde structures that lend the finishing touch to a classical garden.

By Fran Camino