Urban beaches, idyllic little coves, rolling hills, mountainous landscape, lunar landscape, sunsets, forests, mountains, fairy-tale paths and friendly locals. The Canaries have it all!

Although the economic crisis has left its mark in the capital, as some buildings along its central streets have become noticeably decadent, Athens is well worth visiting, and enjoyment is to be had in its marked array of contrasts.

If you’re on a weekend getaway, the best thing is to organise your short stay by touring specific districts in the capital. And, the easiest, fastest and cheapest way to get around is undoubtedly by metro.

1. Plaka

One of the most authentic districts in Athens, with a rich Byzantine and Ottoman legacy. Indeed, this is the city’s oldest quarter and all the historical architecture is strictly protected.

Its siting at the foot of the Acropolis, its quaint, Bohemian atmosphere, its narrow, cobbled streets and the absence of cars make this one of the favourite districts among sightseers. It is a veritable oasis in the heart of a chaotic city.

Plaka is full of street markets, shops and bars. It is the ideal area for buying traditional products and antiquities, or for tasting local cuisine. However, keep an eye on the prices! This quarter is your springboard for seeing ancient monuments, notably theAcropolis,the Acropolis Museum and the Roman Agora.

2. Monastiraki

Northwest ofPlaka, between theAgoraand theAcropolis, lies one of the city’s major commercial hubs. Monastiraki is also the name of one of the oldest and most centrally located metro stops in Athens. It also features the added value of an unusual display – the archaeological finds that emerged during the construction of the underground.

The city was also the site of a Turkish settlement for over 300 years, so that nowadays you can still see the influence of that culture in such spots as the Tzistarakis Mosque or the Turkish baths.

Landmarks in the historica lMonastiraki Square include such emblematic buildings as the Church of the Pantanassa, the Tower of the Winds and Hadrian’s Library, in addition to the Pazari or flea market with the most diverse wares on display in its open-air stalls.

Adrianou Street is a pleasure to stroll along, as it is lined solid with interesting shops and bars. Highly recommended is Collage, a cafe-restaurant where you can eat great food, listen to live music or sip a fine cocktail on their terrace, soaking up the cool ambience all the while.

3. Gazi

This is the most stimulating, switched-on area of the city. It revolves around Technopolis, its cultural centre, the largest in Greece, housed in a former gasworks. The district started coming to the fore after the 2004 Olympic Games. This is the most chameleon-like district of Athens with a proliferation of endless pop-ups. The cultural and leisure activities hosted here draw the most avant-garde, cosmopolitan movements to this part of town.

Gazi has undergone marked changes. Where prostitutes and illegal immigrants once roamed, we now see haute couture fashion parades, while brothels have given way to cultural centres. The once abandoned 19th-century buildings have been refurbished as innovative restaurants noteworthy for their striking post-industrial decor. Standout examples are Hoxton and Gazi College.

For enthusiasts of vintage decoration and second-hand objects, Gazi is teeming with stores to browse through.

4. Anafiotika

This quarter has an unusual history. In the 19th century, King Otto of Greece commissioned his palace to be refurbished by prestigious architects from the Cyclades Islands. They chose to settle in the Anafiotika quarter but, feeling homesick for their native land, they decided to build their new homes in the traditional Cycladic-island style. The result is that we can now admire the typical blue-and-white houses lining cobbled streets with a pronounced seafaring air. Together with the squares, viewpoints and gardens, the complex has become one of the most picturesque areas in Athens. It stands out as a pretty “island” in the urban sprawl, affording idyllic views of the city and acting as a vantage point for gazing at some unforgettable sunsets.

5. Kolonaki

This is the city’s chic district with its upmarket luxury and designer stores. The neoclassical and Modernist architecture endows the area with a distinguished, stately air which becomes evident as soon as you set foot in it.

Located here are some of the city’s trendiest bars, pubs and discos. Mind The Gap is ideal for having a bite or your first drink of the evening, while Dybbuk is perfect for dancing to good music until daybreak. Athenians love enjoying their social life, both during the day and by night, a fact we became aware of when experiencing the congenial atmosphere in the local venues, which always seem to be packed.

This district is adjacent to the famous Syntagma Square and is distributed around the foot of Lycabettus Hill, an excellent vantage point for taking in 360° views of the city.

Athens is a destination that should take pride of place on your calendar! Make sure you book your Vueling soon!

Text by Tensi Sánchez of ilovebilbao.com

Images by Aurora Loudeiro

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

Its industrial past well behind it, but true to its roots, Bilbao is today a modern, cosmopolitan city offering the finest cuisine, music and, in particular, art and architecture. Indeed, ever since the Guggenheim Museum opened to the public in the mid-1990s, the Basque capital has become a magnet for devotees of contemporary art and architecture. In tandem with the museum’s inception, the city saw an upsurge in urban renewal – historical constructions were restored, stunning modern buildings erected and the estuary precincts were integrated with green areas and the layout of a metro network, designed by the likes of Sir Norman Foster. Hence, Bilbao is currently one of Europe’s best cities to live in. Here, then, is our tour of its most groundbreaking museums and buildings.

Around the Guggenheim Museum

This monumental building designed by Frank O. Gehry is an icon of the transformed Bilbao and an international art and architectural yardstick. It is rewarding to saunter around the building and become enveloped in the curves on its facades, and in awe of the famous Spider by Louise Bourgeois, or the acclaimed Puppy by Jeff Koons. Venturing into its interior, however, is a unique experience. Wandering through the steel labyrinth of The Matter of Time, by Richard Serra, or visiting the noteworthy temporary exhibitions that pass through the Guggenheim, is something all art lovers should make a point of doing.

Near the museum stands La Salve Bridge. While is has been spanning the estuary since 1972, it was not until 2007 that the French artist Daniel Buren added its famous Red Arch. Also worth seeing and adjoining the Guggenheim is the New University of Deusto Library, by Rafael Moneo, with its monolithic volume and rounded corners.

Just behind it stands the Iberdrola Tower. Designed by César Pelli, this 41-storey, 165-metre-high tower with its dramatic appearance is the tallest building in the Basque Country. It is flanked by the Viviendas Ferrater housing project, two luxury buildings designed by Carlos and Lucía Ferrater, Xavier Martí and Luis Domínguez. Opposite them lies the Plaza de Euskadi, by the landscape architect, Diana Balmori.

The Museo de Bellas Artes – A Contemporary Classic

Located near the Plaza de Euskadi, opposite Doña Casilda Park, the Museo de Bellas Artes provides an enhancement to the great collections of classical European art with its selection of top-notch works, including a Lucretia by Lucas Cranach the Elder and paintings by Francisco de Goya, El Greco and Zurbarán, while the contemporary section features paintings by Miquel Barceló and Francis Bacon. Here, you can actually travel from ancient times to the 21st century. To cater for such a variety, the building, originally dating from 1945, was upgraded incrementally, leading to its current appearance. The latest renovation has endowed both the exterior and interior with a leading-edge look. It dates from from 1996, when Luis María Uriarte opened new spaces and added the structure and glass foyer which now provide access to the museum.

Strolling Along the Estuary

The ría, once a dark, polluted estuary, was converted into one of the recreational areas of choice for Bilbao’s residents. Part of this upgrade is due to the Isozaki Atea (Isozaki Gateway) project, an ensemble of seven buildings designed by the Japanese architect, Arata Isozaki, in collaboration with the Bilbao architect, Iñaki Aurrekoetxea. Opposite this precinct stands the Zubizuri Bridge, Santiago Calatrava’s contribution to Bilbao, although also the most controversial landmark in the city.

The Alhóndiga and Osakidetza

Venturing into Bilbao’s Ensanche district will inevitably lead visitors to the Azkuna Zentroa or Azkuna Centre, better known as the Alhóndiga, a former wine exchange which has now been converted into a vibrant hub of leisure and culture. Originally completed in 1909 to a design by Ricardo Bastida, it was innovative for its time on account of the architect’s use of such materials as reinforced concrete. Following an overhaul assigned to architect Philippe Starck, it re-opened to the public in 2010 as a multi-purpose centre.

A short distance away, you get the impression of suddenly having stepped into the heart of Europe  when confronted by the Osakidetza (Public Health building), unmistakeable for the polyhedral design of its facade, by Juan Coll-Barreu.

Before leaving Bilbao, be sure to visit the city’s metro which, designed by Sir Norman Foster, is said to be one of the best in the world.

Book your Vueling to Bilbao and delight in its museums and magnificent buildings.

Text and images by Aleix Palau for Los Viajes de ISABELYLUIS