Round off your summer with a getaway! Travelling in September is cheaper, and cities are less crowded. What could be better than a trip to recharge your batteries before getting back into the routine?

By the narrow and winding cobbled streets in the old district of A Coruña you can revive its history. Here you can find most of the main landmarks and picturesque nooks of the city.

Cidade Vella is an urban grid that goes from María Pita square to the arts center curated by the Luís Seoane Foundation, and through other remarkable places like Xeneral Azcárrega square, Bárbaras convent or Santiago’s church. This is also the shopping district, with some great antique and handicrafts shops, where you can always buy something special. Of course you can also try the most remarkable specialties from the Galician cuisine at some of the bars or restaurants around this area.

Starting at María Pita square, this is the hearth of the city; named after a heroine that fought the British army, lead by the corsair Francis Drake, on 1589. At the center of the square, a monument by the artist Xosé Castiñeiras, stands in honor of this brave woman.

After the square, Santiago’s church is probably one of the oldest in the city. Romanesque, it was built during the 12-13th century, and at the west façade, the apostle Santiago is represented horseback.

Later, you will pass by evocative Azcárraga square that, in the past, was the most important square of Cidade Vella, taking to the House of the Municipality or the Artillery Depot. The most relevant events and celebrations took place here and also a great market with all sorts of products.

Near here there is the house where Galician poetess Rosalía de Castro lived, from 1870 to 1879, with her husband Manuel Murguía. She is one of the most relevant literary figures from the 19th century, a precursor to the modern poetry who helped restoring Galician own language and culture.

Walking to Bárbaras square, there is a convent founded in the 14th century, which later was taken by the Franciscan order. The name is given from a hermitage dedicated to Santa Bárbara, which was originally in this place.

Following, we find Santo Domingo church and convent, originally outside the walls of the old district but rebuilt, inside the Cidade Vella, in the first half of 17th century. The convent was expanded on 1726 but the church was demolished and nowadays there are only two chapels, Remedios and Rosario.

We’re getting closer to the viewpoint at San Carlos garden, which follows a romantic style and includes a statue dedicated to Roman Magnus Portus Artabrorum. There is also the coffin from general John Moore, which spawns interest among the British and who helped liberating the city from French troops who attacked in 1809. Initially, it was built as a defensive castle, outside the walls, in 16th century, but, little by little, its importance as a bulwark was lost and was eventually abandoned. In the 18th century it was regained as a garden designed by Carlos F. de Croix.

Getting close to the end of this route, the arts center curated by Louis Seoane Foundation, located at an old barracks that have been rebuilt, was opened in 2003. The foundation aims to disclosure the artwork and intellectual legacy from the artist, painter and writer Luis Seoane, and also to develop other exhibitions regarding contemporary culture and reflections.

Ayuntamiento by Carlos Fernández San Millán | Tumba de Sir John Moore by Marcus | Plaza Azcárraga by FirkinCat

A place well worth discovering! Check out our flights here.

Brussels has a heady cultural agenda where exhibitions andvernissagesare common fare. Some especially interesting spaces have been unveiled there in recent times, augmenting the established ones. Thus, art enthusiasts and culture devotees in general would do well to visit them on a brief getaway.

The first of these is the ADAM (Art & Design Atomium Museum), located in the Atomium, an iconic construction in the Brussels district of Heysel which was built for the 1958 World Fair. ADAM is an art and design centre which showcases a unique collection of plastic furniture and other objects owned by the Belgian artist, Philippe Decelle, who has been collecting these artefacts since the 1970s. And, while you’re in the vicinity of the Atomium, you should make a point of dropping in on the light and sound installation, ID#2016, which runs until 13 November 2016 and forms part of the ID (Innovative Display) programme, a digital art festival which has been operating since 2013.

Another major cultural landmark in Brussels is MIMA (Millennium Iconoclast Museum of Art), located in the enduringly interesting district of Molenbeek. This space revolves around the highly specific, innovative theme of the evolution of contemporary art following the advent of Internet and the emergence of Culture 2.0.

Another highly edifying cultural landmark in Brussels is the Museum of Natural Sciences, famed for its Dinosaur Gallery, and particularly its iguanodons, the skeletons of which were unearthed in 1878 at a mine in Bernissart in southern Belgium. Be sure to also visit the Gallery of Humankind, a unique exhibition unveiled just a year ago which traces the evolution of man and the human body.

It is always a good time to visit the Bozar Centre for Fine Arts, not only because it is one of Belgium’s most dynamic art hubs (it receives an impressive 1 million visitors each year), but for the building itself. Designed by the acclaimed Belgian Art Deco architect, Victor Horta, it is a magnificent specimen of the country’s architectural heritage. An exhibition showcasing 80 sculptures by Pablo Picasso entitled Picasso. Sculptures is due to run here in the next few months – specifically, from 26 October 2016 to 5 March 2017. Organised in conjunction with the Musée Picasso of Paris, the exhibition will feature works expressing the creative power of the innovative Malaga art genius, who used a host of materials and numerous techniques in his sculptures.

Lastly, an area well worth strolling about and which always throws up some novelty is the Parc du Cinquantenaire (“Quincentenary Park”). Located in this park, a case in point is the Horta-Lambeaux Pavilion which showcases the stunning bas-relief known as Human Passions, the crowning work of Jef Lambeaux, sculpted in white Carrara marble. Another interesting venue is Autoworld, featuring the world’s most important automobile collection which this year marks its 30th anniversary.

Ready to discover these offerings in Brussels? Book your Vueling to Brussels here.

Text by Tusdestinos.net

Images by Tusdestinos.net, IRScNB-KBINTh.Hubin (Museum of Natural Sciences) and Visit Brussels (Olivier van de Kerchove)

When you first visit Portugal, one of the things that invariably catches your eye is the pervasive presence of ceramics and wall tiles in ornamentation. Whether used as wall facings on the inside and outside of buildings – on churches, palaces or private homes, both in large cities and small villages – ceramic tiles are king in Portuguese decoration. Unlike the rest of Europe, where they are used more sparingly, in Portugal they seem to take over the walls. They feature in two major varieties – polychromed tiling and the signature blue-and-white combination, some of which are technically and aesthetically superb.

This cultural heritage of Moorish origin first took seed in Portugal in the 15th century, having entered the country via neighbouring Spain. It soon became the wall facing of choice among Portuguese royalty. The use and quality of ceramic tile decoration reached their zenith in the 18th century. Nowadays, azulejos are still very much in vogue and large workshops continue to operate.

While ceramics are in evidence throughout the country, following is a selection of the leading sites. They are well worth visiting – both for the exquisiteness of their ornamentation or owing to the presence of a large production centre.

Lisbon

As befits a capital, Lisbon is graced with numerous examples of azulejo tile facings, which even cover the walls of the city’s metro system. Among some unusual landmarks to be found in the city is the Quinta dos Azulejos, housed in the Colégio Manuel Bernardes on Paço do Lumiar street. The sheer decorative beauty of the scenes depicted on the walls in the garden is simply stunning.

However, the main reason for including Lisbon in this tour is the Museu Nacional do Azulejo, where visitors can learn all the ins and outs, production techniques and history of this quintessentially Portuguese element of architectural ornamentation. It is also a good point to start off the tour.

Aveiro

This small, beautiful city, also called the “Venice of Portugal” for its canals, which you can sail along in colourful boats known as moliceiros, is enchanting in itself. A coastal city famed for its fishing and salt production, it has a beautiful centre with outstanding examples of Modernist buildings. The authentic jewel of this city is the Railway Station, striking for its ceramic ornamentation and a fitting final flourish to any visit here. The polychromed azulejos feature depictions of railway scenes, as well as motifs from nature, culture and traditional activities. And, while you are in the city, be sure to see the beach with its bathing boxes painted in colourful stripes.

Ovar

This coastal city is worth visiting for its beaches, but it also boasts a large number of public buildings adorned with azulejos, most of which come from the factories at Vila Nova de Gaia and Aveiro. The plethora of tiled wall facings has earned Ovar the nickname of the “Azulejo Museum City”.

Válega

Just six kilometres from Ovar lies the village of Válega, where you should make a point of visiting the Church of Nossa Senhora do Amparo. Its walls are faced, both inside and out, with mostly polychromed tiles, except for the external side walls and back, which are bicoloured in blue-and-white tiles. Construction work on the church began in 1746 and lasted for a whole century.

Ilhavo

Ilhavois noteworthy above all for its Vista Alegre Factory, one of the most internationally acclaimed sites in Portugal. Founded by José Ferreira Pinto Basto in the early 19th century for glass and porcelain production, it houses a museum where visitors can learn about ceramics culture through the collections on display and the values associated with Vista Alegre.

Book your Vueling to Lisbon and discover for yourself this wonderful ceramic ornamentation on Portuguese buildings and monuments.

Text by Los Viajes de ISABELYLUIS

Images by Sunny Ripert