Cité Radieuse Le Corbusier In Pristine State
Marseille is full of surprises, or at least that’s the feeling you get when venturing into the city. This gateway to the Mediterranean has much more to offer than what is apparent at first sight. For starters, it has two harbours – the Vieux Port (Old Port), enclosed and fortified, a vestige of times when the coastline was invaded by pirates and hostile nations. And, the new – and larger – harbour which opens out to the sea and is a symbol of contemporary times. The elegant buildings lining the city’s streets have an unkempt, decadent yet inspiring air, while the fishing quarters smack of new trends in the guise of art galleries and cafés, and avant-garde spaces such as the MuCEM (Museum for the Civilisations of Europe and the Mediterranean) and the Villa Méditerranée, attesting to Marseille being much more than just a port city. And, in the midst of all this stands the highlight of this article, one of the works which prompts many architects to pilgrimage to Marseille –Le Corbusier’s Cité Radieuse.
This huge building, recently designated a World Heritage Site by UNESCO, together with 16 other architectural works by Le Corbusier, is one of the essential icons of modern architecture and one of the artificer’s major achievements. In this massive and equally beautiful colossus in concrete, the precursor of Brutalist art and ideologue behind architecture as we know it today successfully shaped the vertical city he had dreamed of, which he named the Unité d’habitation (Housing Unity). This was the first in a succession of similar residential buildings which were subsequently erected in Nantes-Rezé (1955), Berlin-Westend (1957), Briey (1963) and Firminy (1965).
Cité Radieuse, known locally as La Maison du Fada (The Nutter's House), is a large apartment block located in the south of Marseille on the Boulevard Michelet. It was designed in 1945 and built from 1947 to 1952. It is made up of 337 duplex apartments distributed over twelve storeys. Apart from its residential function, Le Corbusier also incorporated amenities into the design, including a commercial area on the seventh and eighth floors, gardens, a paddling pool, a gym, a theatre and a nursery on the spectacular rooftop. The edifice was built in rough-cast concrete and its standout feature are the supporting pilotis or piers, as well as the polychromed decoration on the balconies which set up a rhythm across the facade.
Most of the apartments are now private property, although sightseers are allowed to visit the common areas of the building. On the seventh and eighth floors you can see how most of the commercial units have been turned into design and architects studios. An exception to this is La Ventre de l’Architecte, a luxury restaurant affording splendid views of Marseille and the coast. The crowning touch is provided by another communal area, the rooftop, an area of surprises where architectural forms have been turned into spectacular sculptures affording views over the city. A pilot apartment can be visited as part of a guided tour, but be sure to book in advance with the Marseille Tourist Office. Those who would like to broaden their experience of the Cité Radieuse can stay overnight at the Hotel Le Corbusier, housed in the building itself.
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Text and photos by Los Viajes de ISABELYLUIS
more infoHappy House
It is rare to find this kind of buildings in Germany, a country as jealous of its harmonic architecture. Even more in a town like Brunswick (Braunscheweig), located in Lower Saxony, just over 20 kilometers from Hannover.
Brunswick was a great example of this architectural consistency with old postwar buildings and characteristic half-timbered, forming a homogeneous whole.
Until the Happy Rizzi House stood in the historic heart, a five-storey building that contrasts sharply with the other buildings. This is a great work of modern art, full of smiling faces brightly colored, bug-eyed, crazy shapes and asymmetrical forms. Such a psychedelic collage!
Its construction on land that used to be part of the stables and fields of a Ducal Palace, so close to the church of Saint Andrews, caused much controversy and rejection in this population at the beginning. However, its construction continued starting in 1999 and it took two years to complete.
The funny thing is that, once the initial shock, most of the citizens of Brunswick came to love this "happy home" and now would be unwilling to demolish any way. And, to Brunswick, many tourists come just to observe its facade; not inside, which are labor offices, that can not be visited.
The idea came after a conversation of James Rizzi, New York artist and pop art exponent, with Jäschke Olaf, owner of the Aeschke gallery inBrunswick. They had already collaborated in the past but never to undertake a work of such magnitude.
Unfortunately, Rizzi died in late 2011. He was a beloved artist in Germany due to his work left and for his work with charities. Her hallmark were hi of three-dimensional paper sculptures, with prints of children's characters and vivid colors. These designs became translate into everyday objects, from small labels to larger works as a Volskswagen Beetle, trains and even aircraft.
But happy house is surely his most voluminous work, that will make you crack a huge smile when you see it.
Address of the Happy Rizzi House: Ackerhof 1 Braunschweig
Happy Rizzi House por Gerd Evermann | Boing 757 por Gero Brandenburg | Happy House por Magnus Manske | James Rizzi por Alexander Lieventhal
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more infoCulture and cars
It is easy to dream all four wheels in a city where worldwide fame cars are made. The car culture is very important in Stuttgart, more than anywhere else. Here began their unique trajectories Daimler-Benz and Porsche. We can find two spectacular museums in honor of these brands.
On one side, the ultramodern Mercedes-Benz Museum, which tells the car’s complete history from the beginning without skipping any of the stages. In his futuristic building, you’ll find over 1,500 pieces spread over nine floors documenting its history.
On the other hand, it is located the Porche Museum, in the town of Zuffenhausen. The building causes great admiration because of its architecture, and the fact that it is supported by only three points. It seems to float in the air. Inside, all white, we find rare vehicles and a variety of historical mode.
Also, if your visit to Stuttgart is in March, during the month Retro Classics is celebrated, one of the most beautiful car fair of all Germany, where classic car collectors worldwide met together.
But not only the automotive industry city lives, Ballet, Opera and Theatre are worldwide known. The Great Orchestra of Stuttgart, jazz clubs or two musical theaters in the SI-Centrum Stuttgart provide musical delights to all visitors. In the streets Calwer and Königstrasse will enjoy a mile of world-class stores where to shop. And save your time for another of the great attractions that Stuttgart offers: Wilhelma Park, one of the most beautiful botanical gardens and zoos in Europe.
Image: RudolfSimon
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Skogskykogarden Cemetery
By Eddy Lara from DestinosActuales.com
The Scandinavians deal with death in a very different way to Latin cultures. Their perception is completely different and they fully accept what is actually an inevitable part of life. One of the best manifestations of that different approach is the way in which they conceive their cemeteries: small cities with immense green areas where people can not only go to visit the remains of a loved one but also get in touch with nature.
Skogskyrkogården Cemetery or the Woodland Cemetery in Stockholm is one of the most representative pieces of modernist architecture to be found in any of the Scandinavian countries. It was designed by the architects Erik Gunnar Asplund and Sigurd Lewerentz in 1915 and the idea was to adapt it to the woodland surroundings in which it was built. There is a crematorium and three chapels: the Chapel of the Holy Cross, the Chapel of Resurrection and the Woodland Chapel, the latter containing a replica of the Angel of Death sculpture. The cemetery was declared a UNESCO World Heritage site in 1994.
Besides the architectural beauty of this cemetery, its most striking feature is the importance given to nature. It has been designed to help everyone who comes to bid farewell to their loved ones overcome the pain of their loss but also to accept that loss and, therefore, attain inner peace. This is one of the greatest achievements of the place. Spending time here generates an indescribable feeling of inner peace… you forget you are in a cemetery or rather you begin to perceive death from a completely different perspective.
The remains of the most famous Swedish actress of all time can be found at this cemetery: Greta Garbo. If you have the opportunity to visit this place when travelling to Stockholm, make sure you do. It will not leave you indifferent and perhaps you’ll start to see death through optimistic eyes, or at least less dark than many of us imagine it.
Imagen de Holger.Ellgaard
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