Lollapalooza Berlin is very much in keeping with the original festival
Of all the music festivals that take place in September, Lollapalooza Berlin is, probably, the largest and most popular. Originally from the United States, Lollapalooza has been held in this German city since 2015 and is almost every bit as good as its older brother, because great names in the music scene such as Radiohead, Foo Fighters and Muse have performed there.
more infoBerlin in 9 Albums
From David Bowie or Iggy Pop, to U2 or R.E.M, Berlin has long been a source of inspiration for the most famed ambassadors of pop and rock (their impact on club culture deserves a separate article). With the iconic Hansa Tonstudio recording studios as the hub of experimentation and creation, the German capital stands out as the inextricable backdrop for beacons of musical genesis over the last few decades.
“Heroes” (David Bowie, 1977)
David Bowie took refuge in Berlin in search of inspiration in the late seventies. His German sojourn ended up spawning the Berlin Trilogy,a triptych of albums that began with Low (1977) and ended with Lodger (1978), although epitomised by the second album, Heroes.Recorded in the legendary Hansa Tonstudio (or Hansa Studio by the Wall), the title track recounts the story of two lovers who hide their idyll in the shadows of the Berlin Wall.
“Lust For Life” (Iggy Pop, 1977)
Following in the footsteps of his friend, David Bowie, Iggy Pop headed for Berlin to develop his career as a solo artist. The first chapter in that new venture was The Idiot (1977). A bigger hit still was Lust for Life, released that same year. With the Hansa Studio by the Wall again becoming his centre of operations, Iggy Pop took just eight days to breathe life into such essential titles in his repertory as Lust for Life, The Passenger and Tonight.
“Kollaps” (Einstürzende Neubauten, 1981)
Few albums has captured so well the essence of Berlin in the early eighties as Kollaps, Einstürzende Neubauten’s debut. A landmark industrial and experimental band, the calling card of this group led by Blixa Bargeld was a collection of pieces which even today, three decades on, still resound as searing, psychotic and oppressive – an exquisite torture on the ears.
“Night Time” (Killing Joke, 1985)
The quasi-metal, industrial band, Killing Joke, achieved one of their major hits with Night Time, a work suggestive of an interlude between their strident beginnings and the calmer stretches they would subsequently experiment with, albeit fruitlessly. And, while you’re at it – listen to Eighties, the last track on the album, and then do the same with Come as You Are, by Nirvana. Influence, coincidence or plagiarism?
“Black Celebration” (Depeche Mode, 1986)
Depeche Mode went to Berlin to record their fifth studio album, with Martin Gore then consolidating as the band’s creative engine. As the title suggests,Black Celebrationstresses the darkening sound passages that the Britons had been flirting with in their previous works, Construction Time Again (1983) and Some Great Reward (1984). Definitely one of the most influential records of the eighties.
“Your Funeral… My Trial” (Nick Cave And The Bad Seeds, 1986)
Nick Cave has stated on more than one occasion that Your Funeral… My Trial is the best album in their career. Indeed, his long fourth track harbours some of the most hair-raising cuts by the Australian, like its counterpart, Your Funeral, My Trial, Stranger Than Kindness or The Carny which Cave and The Bad Seeds would play a year later in the Wim Wenders film, Wings of Desire.
“Bossanova” (Pixies, 1990)
Engendered in Berlin, this third album of the Pixies is undoubtedly one of the great works of independent rock. The hideout of simply irresistible tracks like Velouria, Dig for Fire or Allison, their customary dedication to sure-fire tunes entangled with distorted guitar rasps,Bossanovareveals borrowings from surf and space rock. While not a conceptual work, many of the themes bear references to aliens, UFOs and the remaining extraterrestrial paraphernalia that so obsessed its leader, Black Francis.
“Achtung Baby” (U2, 1991)
Having scoured the roots of American music with Rattle and Hum (1988), U2’s next release marked a radical departure in sound. Having moved to Berlin to allow the winds of change blowing across the city to rub off on them, the Irishmen caught the world unawares with a work grounded in the essences of the burgeoning genres, including independent rock and electronic music. Achtung Baby is one of those definitive records in the history of rock.
“Collapse Into Now” (R.E.M., 2011)
R.E.M. was one of the most popular bands in the last few decades, with the added advantage that they managed to keep their integrity and artistic credibility intact. They split up in September 2011, a few months before the release of their last album, Collapse Into Now. Recorded in the Hansa Tonstudio, this is a standout farewell bordering on the sublime, as in Discover, Mine Smell Like Honey and Überlin.
Berlin Musictours offers an extensive, more than interesting gamut of tours to the hotspots of Berlin’s ever effervescent musical activity. Among the various itineraries to choose from, notable routes include the Bowie Berlin Tour, U2 Berlin Tour, Depeche Mode Berlin Tour and Hansa Studio Tour. Why wait to discover an à la carte musical Berlin? Check our flights here.
Text by Oriol Rodríguez for ISABELYLUIS Comunicación
more infoThe Rebellious Heart of Berlin
Some journeys take you to unknown places, some envelop you in peace and tranquillity while others are designed to help tap your inner creativity. Without a doubt, Berlin manages all three of these things. Let’s walk today through the melting pot of the city’s most rebellious heart, where new artistic spaces open every year, where music, art and design coexist with parks, restaurants and street markets. Perhaps this is why more than 8 million tourists come here every year, only to discover it has changed slightly each time they return. Carlos Medina, from My Vueling City, guides us through the city to a musical backdrop. OnPiedra de Toque, we continue to seek the hidden side of our cities. Today, Berlin, with the Kreuzberg district, the Prenzlauer Berg district and the B-Parade.
The strong>Krezberg district: 160,000 inhabitants of 200 different nationalities, Turkish being the majority. “After the wall came down, Berlin united the two Germanies – the east occupied by the Russians and the west occupied by the Americans, French and English. The Kreuzberg district lies in the east, boasting a great night life and a spectacular Turkish market. Simply consider that Berlin is the European capital with the most Turks and that most of those live in the Kreuzberg district. However, there is another area that, given the low rent prices, is also full of all sorts of creative people. A visit to the Prenzlauer Berg district is highly recommendable. Here you will find cafés and restaurants of all nationalities with an excellent offer at more than reasonable prices. Top spots for Carlos Medina: Il pane e le rose, Mami Camilla, A Cabana.
Volkspark Friedrichshain has been the perfect place to get away from the hustle and bustle of the city for more than 160 years. It is the oldest public park in Berlin. Mauerpark and its street market is the other essential location for discovering the hidden side of the German capital. Finally, if it’s the various shopping areas that turn you on, then Castangalle is the place for you.
B-Parade, 21 July. To conclude our visit to Berlin, we will mention the old Love Parade that began in 1989 before the fall of the Berlin Wall and that lives on today under a new name: B Parade. This popular street festival gathers a large number of DJs and performances to create the biggest party in Europe. This year, it will be held on 21 July.
Picture by David Herrmann
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"Heroes": David Bowie's Berlin
David Bowie moved to the German capital looking for anonymity in the atmosphere of Berlin during the Cold War, when he was interested in the local music scene of the city at that time, with bands like Tangerine Dream or Kraftwerk, and also focused on his detoxification.
"Low", "Heroes" and "Lodger" are three albums comprising the Berlin trilogy, three fundamental titles on David Bowie’s discography, recorded with Brian Eno’s contribution on the 1970’s and bathed by the influence and power of a city and a time unique on history.
To follow the key locations from the stay of Bowie in Berlin we should start by going to Hauptstraße 155, the address of the building where the British genius lived. Curiously, you should know that his partner on parties and also a rock star, Iggy Pop, lived here in the same building but, contrary to popular belief, in a different apartment.
Bowie & Iggy were regulars at the nightlife in Berlin. One of the venues they visited the most is the second stop on this route: Neues Ufer café. Previously known as Anderes Ufer, this place is one of the first openly gay bars in Europe. That is the reason for its name, which means “the other side of the shore”.
If we take the metro in Berlin, it’s mandatory to stop at Neukölln station. We encourage you to bring a MP3 music player with you to tribute the instrumental song "Neuköln", included in the album "Heroes" (1977).
After this tribute, we can stop at Potsdamer Platz, right where the Wall crosses the square. In the song “Heroes” Bowie sings “I, I can remember, Standing, by the Wall, And the guns shot above our heads, And we kissed, as though nothing could fall”. Besides being the spot where Bowie sees the wall, this song is about lovers kissing. At that time, Bowie said it was just inspiration but later on it was known that the lovers were Tony Visconti, Bowie’s guitarrist, and one of his backup singers, who were having a love affair.
Bowie was looking at this lovely scene by Visconti from the next stop in the route: Hansa Estudios. The place where they were working in what later became a trilogy beyond comparison on music’s history.
Last stop in the route is in front of Brandenburg Gate looking at the Republic Square. This square, in front of the German Parliament, is where Bowie returned for a show at the Berlin Festival, in 1987.
Image from Jean-Luc Ourlin
We’ll be there. If you want to come too, check out our flights here.
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